’Tis a brillig sendoff; fans of all things toothy and terrifying will gyre and gimble in its wabe.
A young hero takes on a truly humongous monster in the late Santore’s final, probably, and most melodramatic set of illustrations.
Nobly posed in a three-quarter-length portrait at the beginning, the White-presenting hero looks more wiry than ripped for all his bare chest and granite jaw—not the most likely sort to stand a chance against the immense, slavering, crocodilian beast that pounces in the climactic double gatefold. Still, one hack of the jeweled vorpal blade later, the creature’s minivan-sized head lies in a pool of gore. (How the hero contrives to go galumphing back with it is left to the imagination, as in the next scene he’s already raising his arms in triumph amid a cloud of parrotlike slithy toves to a chortled offstage “Callooh! Callay!”) Being positively crowded with artfully detailed tortoises, sundials, and badgerlike creatures with long, pointy noses, the dim and mossy tulgey wood makes a properly surreal setting; for extra monster thrills the artist inserts separate outsized views of the likewise slavering Bandersnatch, part boar and part tiger, and a fantastically plumed and toothy Jubjub bird that looks as if it could have a T. rex for breakfast. In his note the artist discusses his approach to the nonsense poem and properly echoes Martin Gardner’s Annotated Alice in encouraging readers to realize that “the words mean what they sound.”
’Tis a brillig sendoff; fans of all things toothy and terrifying will gyre and gimble in its wabe. (Picture book poem. 6-10)Pub Date: Aug. 25, 2020
ISBN: 978-0-7624-6543-9
Page Count: 32
Publisher: Running Press Kids
Review Posted Online: Oct. 20, 2020
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
Despite missteps, this satisfying follow-up will leave readers hoping for more magical adventures with lovable Jax and...
Jaxon and his friends deal with the fallout from the theft of one of the baby dragons in his charge.
As this sequel to Dragons in a Bag (2018) opens, Kavita, the titular dragon thief, introduces elderly Aunty to stolen baby dragon Mo. Thankfully, Aunty knows someone in Queens who can help return Mo to the realm of magic. Meanwhile, and in alternating first-person chapters, Jax is trying to find Kavi and Mo, as Mo’s siblings have grown ill as a result of the separation, as has Ma, Jax’s magical mentor and grandmother figure. Jax again teams up with his best friend and Kavi’s older brother, Vik. A third is added to their crew with “huge” Kenny, “the biggest kid in [their] class.” (Unfortunately, much is made of Kenny’s size, which feels gratuitous and unkind.) Eventually the trio finds Kavi, Aunty, and Mo, who’ve been abducted by a magical con artist. All’s well that ends well when Sis, the powerful guardian of the magic realm, shows up, but readers may wonder why the narrative decides to grapple with her choice not to intervene in injustice in our world. Her argument that human-caused problems are for humans to solve feels undeveloped, especially in the face of a massive injustice like the trans-Atlantic slave trade (mentioned during the climax and at no other point). Jax is black; Vik, Kavi, and Aunty are Indian American (though Aunty has African ancestry as well); and Kenny is white. The rest of the cast is diverse as well.
Despite missteps, this satisfying follow-up will leave readers hoping for more magical adventures with lovable Jax and company. (Urban fantasy. 7-10)Pub Date: Oct. 22, 2019
ISBN: 978-1-5247-7049-5
Page Count: 176
Publisher: Random House
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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