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FROM THE YEAR INFINITY

Modernist, random sci-fi weirdness seemingly beamed in from the James Joyce/William S. Burroughs/Last Words of Dutch Schultz...

A godlike being who is an interplanetary Earth ambassador and a time traveler recalls his manifold adventures saving the cosmos in this debut novel.

At age 4, the supernatural entity named Lewis must take on human mentality and winds up working in a Connecticut office. Even so, his impressive IQ (described as the fourth highest ever) draws the attention of the U.S. Navy and Colin Powell. Lewis not only serves in the Navy, but is also appointed an Earth representative for the United Planetary Federation, even though assassinations disrupt the meetings—and in the remote future (or past), civilizations rise and fall and threats are fought (or will be). Because Lewis marked his apotheosis by time-traveling to infinity, the fabric of reality has started to come undone. In fixing it, he meets Father Time (who really exists). Lewis embarks on epic exploits in his seven other immortal lifetimes. Viewers of TV’s Doctor Who may enjoy the way Feinland, a poet, manages to make this highly experimental piece bigger on the inside than the outside—just like the time machine/spacecraft TARDIS. In a slim 109 pages, he info-dumps terabytes of sci-fi jargon; alphanumerics and acronyms; author references/genre shoutouts (John Scalzi); invented words (“cataclypse”); poetry; complex, technical manual-style instructions; and metaphysical musings. It’s the epistle of a sort of god or demigod who, while born on Earth, is actually of Olympus lineage (though Jesus crosses his path, as do the devil, Buddha, and Sitting Bull). When the narrator speaks of seeing psychiatrists and getting a regimen of psychotropics, it begs the question of whether to interpret any of this literally or as the artfully described schizoid ravings of a lunatic savant off his meds: “From my office which was my enterprise, bridge command; sort from my helm..Or was enterprise is now plastic and the universally Messianic deed be done. Paradise lost be found, it’s heavenly response. Kingdom come and the last eternal link be round, that link being physically the mild core (plutonium 181) but not energy.”

Modernist, random sci-fi weirdness seemingly beamed in from the James Joyce/William S. Burroughs/Last Words of Dutch Schultz outer-asteroid field.

Pub Date: Nov. 15, 2012

ISBN: 978-1-4327-9677-8

Page Count: 112

Publisher: Outskirts

Review Posted Online: April 22, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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