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GLIMPSES

Can the 60's cure the 90's? That's what Texas stereo repairman Ray Shackleford struggles to prove in this strenuous fantasy of rock- and-roll hits that never were. Shortly after his unloving father drowns in Cozumel, Ray starts to imagine he's hearing impossible songtracks that he's able to record directly from his head. He takes his tape of the Beatles' never- recorded hit ``The Long and Winding Road'' to L.A. producer Graham Hudson, who's already remastered three volumes of Glimpses from rock's legendary past, and Graham persuades him to go after bigger game. So Ray travels back in time, changing history enough so that Jim Morrison can record Celebration of the Lizard and Brian Wilson can persist in his breakthrough album Smile. There's money to be made here, of course, but what Ray and Graham really want is to save the world by recalling the aging rock audience to its ardent roots. (Maybe a little too ardent, as when Ray wonders, ``Was it that way for everybody, music and sex and politics and love all inextricably part of each other, or is it just me?'') Trying to come to terms with his hated father's death, Ray takes time out to retrace his steps in Cozumel, attempting to re-create his own experience of the 60's more directly in 1989, but his romance with a diving instructor seems to open wide the rift in his ten-year marriage without giving him a satisfactory alternative, and he ends up repeating his father's experience instead of accepting it. So it's back to the past for one last try—with a Jimi Hendrix album that Ray hopes can keep the 60's from ending. As you'd expect from versatile fantasist Shiner (Slam, 1990, etc.), Ray's attempts to keep the faith by resurrecting Jimi and laying his own father to rest are powerfully affecting. Much more than yuppie reunions like The Big Chill, this captures a generation's sweet, desperate yearning for the 60's—though it ends up as authentically woolly as the period.

Pub Date: July 19, 1993

ISBN: 0-688-12411-9

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1993

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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