Can the 60's cure the 90's? That's what Texas stereo repairman Ray Shackleford struggles to prove in this strenuous fantasy of rock- and-roll hits that never were. Shortly after his unloving father drowns in Cozumel, Ray starts to imagine he's hearing impossible songtracks that he's able to record directly from his head. He takes his tape of the Beatles' never- recorded hit ``The Long and Winding Road'' to L.A. producer Graham Hudson, who's already remastered three volumes of Glimpses from rock's legendary past, and Graham persuades him to go after bigger game. So Ray travels back in time, changing history enough so that Jim Morrison can record Celebration of the Lizard and Brian Wilson can persist in his breakthrough album Smile. There's money to be made here, of course, but what Ray and Graham really want is to save the world by recalling the aging rock audience to its ardent roots. (Maybe a little too ardent, as when Ray wonders, ``Was it that way for everybody, music and sex and politics and love all inextricably part of each other, or is it just me?'') Trying to come to terms with his hated father's death, Ray takes time out to retrace his steps in Cozumel, attempting to re-create his own experience of the 60's more directly in 1989, but his romance with a diving instructor seems to open wide the rift in his ten-year marriage without giving him a satisfactory alternative, and he ends up repeating his father's experience instead of accepting it. So it's back to the past for one last try--with a Jimi Hendrix album that Ray hopes can keep the 60's from ending. As you'd expect from versatile fantasist Shiner (Slam, 1990, etc.), Ray's attempts to keep the faith by resurrecting Jimi and laying his own father to rest are powerfully affecting. Much more than yuppie reunions like The Big Chill, this captures a generation's sweet, desperate yearning for the 60's--though it ends up as authentically woolly as the period.