A futuristic tale in which the people of Ireland wage war as if it were the Middle Ages.
Almost 2,000 years from now, humankind has long since abandoned the machines that nearly destroyed the Earth and has reverted to stateless, clan-based forms of government. In the Province of the Twenty Clans in southeastern Ireland, citizens generally lead simple lives filled with music, poetry, good food and strong ale. But they are under constant threat from raiders to the north, where unusually cold weather has shut down agricultural production and caused a famine. This enjoyable debut novel from O’Shiel—filled with battles involving swords, bows, catapults and wooden ships—could almost be mistaken for historical fiction set in the Middle Ages or earlier, if not for the enlightened attitudes about gender roles. O’Shiel introduces a host of well-developed major and minor characters, including Conor Laigain, a reluctant soldier who takes over command of the Province’s field army. Meanwhile, his fiancée Mairin Fotharta, a captain in the nearly all-female navy, sails four warships down to Santander, Spain, to fight alongside Cornish, Welsh and Breton allies. In between battles with bad guys who are about as nameless and faceless as orcs in a Tolkien novel, libidos rage, love triangles form and friendships are tested. A map would have been helpful for following the action, and at times certain characters make decisions with unrealistic impulsiveness. The book would also benefit from additional proofreading for spelling and grammar mistakes. Yet despite these flaws, O’Shiel writes with charm and conviction that makes the work stand out from other similarly grandiose works of fantasy. While the central conceit of the novel (a future where Irish clans speak the Celtic language, abandon Christianity and successfully fight with swords instead of modern weapons) is far-fetched, O’Shiel delivers a rich, engaging epic.
Pub Date: Nov. 10, 2011
ISBN: 978-1463569327
Page Count: 793
Publisher: CreateSpace
Review Posted Online: March 14, 2012
Kirkus Reviews Issue: April 1, 2012
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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