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MURDER AND OTHER UNNATURAL DISASTERS

A smart caper with a heroine to match.

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When her new job at a movie studio turns deadly, the daughter of a renowned private investigator is her company’s only hope—and the highlight of this debut mystery.

Years ago, Corrie Locke and her father cracked a murder case that could have put an NBA superstar in prison. Now she’s relieved to take on a comparatively tame position as an entertainment lawyer in sunny Newport Beach, California, where she’ll be far away from danger—or so she thinks. When Druby Valdez, the company’s former head of security, is found dead at the bottom of a lake, his co-workers suspect foul play. But Corrie is reluctant to tackle the case on her own. Her “gene for caution is a recessive one, but it’s still there,” and conducting a murder investigation is not an easy thing to do while navigating office politics. Corrie’s misadventures with her co-workers are as fun to read about as her amateur sleuthing. Inside the Complex—“a place filled with intrigue, deception, secrets, and beautiful people”—Corrie has more egos to manage than contracts to write. She deftly turns her business meetings into excuses to dig for clues, risking certain termination (as well as unwanted attention from lecherous executives) if she focuses on the wrong person. Meanwhile, Sideris also reveals, through Corrie’s other cases (a missing cat and a possible alien abduction), how Corrie’s past may have led her to her present. The author paints Corrie’s co-workers as being as devious as cartoon villains, so the list of suspects quickly becomes unwieldy. However, she also adds gentle humor and a touch of romance. Outside of work, for example, Corrie’s childhood friend Michael is sincere when others are superficial. He becomes her likable partner in fighting crime—and possibly more. Another memorable ally is Veera, a security guard and a first-year law student, who comes to work as her assistant, fending off Corrie’s enemies with creative threats like, “I’m going to dislocate all of your limbs. Then I’m gonna pour Kool-Aid all over your sorry ass and plant it in an ant’s nest.”

A smart caper with a heroine to match.

Pub Date: Oct. 7, 2015

ISBN: 978-1-5092-0240-9

Page Count: 408

Publisher: The Wild Rose Press, Inc.

Review Posted Online: Sept. 22, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE SHINING

A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).

The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....

Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.

Pub Date: Jan. 28, 1976

ISBN: 0385121679

Page Count: 453

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Jan. 1, 1976

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