Metafiction that pleases and frustrates in equal measure.
A ton of factual information complements the fiction in National Book Award winner (The News From Paraguay, 2004) Tuck’s sixth novel, a family history in mosaic form.
It’s 1948. Eight-year-old Liliane, an only child, is flying from New York to Rome to visit her divorced father, Rudy. The history of Rudy’s Roman neighborhood is spelled out in detail to distance us from the characters, just as Rudy, a movie producer awkward around kids, is distanced from his daughter. German by origin, French by choice after moving to Paris, Rudy is a nonreligious, assimilated Jew. His half-Jewish ex-wife, Irène, was also German originally; now she's American and newly married to Gaby, an investment banker and WASP. With her father, Liliane speaks French, while in America, fearful of the foreigner label, she speaks only English: this is her double life. Dislocated lives are the essence of this novel, which approximates Tuck’s life just as the name Liliane approximates Lily. It jumps around in time and place. The outbreak of war in ’39 sees Rudy taken prisoner and Irène fleeing Paris with baby Liliane, to be reunited much later in Peru; but Tuck has no interest in exploiting these dramatic moments. She also zips past Rudy’s nemesis, his villainous brother-in-law, and Claude, “the love of Irène’s life.” What matters is arranging the lives of the leads, and their ancestors, on history’s canvas; context, such as Hitler’s rise to power, is all-important. What’s problematic, though, is Tuck’s dragging in real-life events (the notorious Career Girls Murders in 1963 New York; the Mau Mau uprising in Kenya) without seeming justification. Liliane’s own story, overshadowed at first by that of her sensationally beautiful mother, takes shape quite late, as she turns her instinct for fantasizing into a beginner’s novel.
Metafiction that pleases and frustrates in equal measure.Pub Date: Sept. 8, 2015
ISBN: 978-0-8021-2402-9
Page Count: 256
Publisher: Atlantic Monthly
Review Posted Online: June 16, 2015
Kirkus Reviews Issue: July 1, 2015
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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