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LOOKING FOR REDFEATHER

Doesn’t pack the fireworks, but that’s not where the story lives—it’s in the day-to-day lives of its well-drawn characters...

Collison’s coming-of-age novel follows three teenagers who leave their homes to try to find themselves and escape less-than-perfect circumstances.

Ramie Redfeather lives with his mother and little brother and longs to find his father, known as Redfeather, a musician who never made it big, though locals recognize him. Trying to catch up with him at a gig in Denver, Ramie hitchhikes from his hometown of Cheyenne, Wyo., and meets Chas Sweeney, a kid from nearby Baltimore whose mother is on life support. In denial about his dysfunctional family back home, Chas stole his grandmother’s Cadillac to drive across the country. In Denver, they meet up with LaRoux, formerly Faith Appleby, who has run away from her strict religious household to perform in a music contest in Austin. All three characters are well-drawn, and though the circumstances that draw them together seem a bit forced, their relationship feels real. They’re three lost kids, geographically and spiritually, yet they’re specific and recognizable types. Ramie is strong, loyal and keeps to himself. Chas is smart and a bit irritating but boundlessly enthusiastic, and despite his confusion about what to do with his life, he has a good heart. LaRoux is beautiful and talented but flighty. Much to the author’s credit, all of them are believably flawed. At times, though, the narrative gets muddled when the three kids’ stories drift into navel-gazing and away from the plot, but Collison’s prose is nonetheless clean and efficient. The resolutions of Ramie’s and LaRoux’s quests are fairly predictable but still well-laid, though Chas’s story turns out to be the more intriguing one, especially in the end.

Doesn’t pack the fireworks, but that’s not where the story lives—it’s in the day-to-day lives of its well-drawn characters and their crises.  

Pub Date: Oct. 8, 2013

ISBN: 978-0989365307

Page Count: 228

Publisher: Fiction House

Review Posted Online: Dec. 17, 2013

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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