Sweet and intense, with delightful magical accents, a delectable romance—and yummy recipes.


Broke, divorced and disheartened, Portia Cuthcart leaves Texas for Manhattan, determined to sort out her life and finally embrace her magical way with food.

Portia has inherited a magical gift from a long line of Texas women who offered advice and, inexplicably, the perfect healing dish, but a tragic event caused her to turn her back on this "knowing" and live a normal life. Years later, betrayed by her Texas politician husband, she flees to New York City, where her two sisters live and where she owns the garden apartment in a brownstone. Her sisters have sold their portions of the house to Gabriel Kane, a renowned financier who expects her to sign over her share as well but is stymied when she moves in instead. When Kane’s younger daughter, Ariel, stumbles into a fabulous meal Portia makes for her sisters, she convinces her father to offer her a job as their cook. At first resistant, Portia accepts when she realizes her ex-husband is reneging on her divorce settlement, then sets about trying to open a cafe styled after The Glass Kitchen, a restaurant her family owned for generations in Texas. But as her sisters’ lives unravel, and she becomes more entwined in the Kanes’ well-being, Portia realizes how little she knows about the gift and how unprepared she is to handle the grief and confusion of the family upstairs. Lee takes a new magical direction after the success of Emily and Einstein (2011) and brings a light yet emotional touch as she combines food fiction with magical realism in a satisfying effort only slightly marred by Portia’s continually fluctuating feelings about her gift. However, Kane’s tight-lipped Yankee demeanor paired with Portia’s conflicted feelings make for powerful—and sexy—conflict, and Ariel’s attempts to fix her fractured family are affecting and pave the way for true connection with their magical neighbor.

Sweet and intense, with delightful magical accents, a delectable romance—and yummy recipes.

Pub Date: June 17, 2014

ISBN: 978-0-312-38227-8

Page Count: 384

Publisher: St. Martin's

Review Posted Online: May 17, 2014

Kirkus Reviews Issue: June 1, 2014

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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