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REMIND ME WHO I AM, AGAIN

A graceful and loving meditation on the inevitability of decline, on the wonder of memory. (17 b&w photos)

British journalist and novelist Grant (Sexing the Millennium, 1994) fashions a stylish, poignant memoir of her mother’s losing battle with an insidious form of dementia.

Grant divides her text into 27 unnumbered sections, beginning with a nightmarish shopping excursion with her mother Rose to buy a dress for a family wedding in 1996, and ending with a lyrical paean to memory (“the Wandering Jew of our physical selves”). A brief Afterword contains an update on her mother’s continuing decline. Rose suffers from MID (Multi-Infarct Dementia), a disease characterized by continual minor strokes that, in her case, have destroyed her short-term memory. Grant chronicles the struggles that she and her sister go through to care for their mother, first in her own apartment and then, finally, in a custodial home. Grant, a wonderful writer, has assembled many touching episodes, many remarkable observations. She remembers being embarrassed and disgusted by her father (who sold supplies to hairdressers); she regrets not paying attention in her youth to the family stories of her elders; she recalls with bemusement her father’s sudden confession of an encounter with a prostitute—and her mother’s placid acceptance (he had given her earrings to soften the news, and jewelry “easily outweighed a sexual infidelity”); she realizes the wisdom of a friend’s comment that “Your mother has become your daughter.” Even in the darkness of her disease, Rose continues to surprise Grant: she follows the O.J. Simpson trial, grieves at the death of Princess Di, and retains her tasteful fashion sense. Most affecting are Grant’s accounts of her wrenching decision to institutionalize her mother. When they finally leave her in a facility, she wonders: “What crime have we perpetrated, bringing her to this terrible place?” Less effective are summaries of discussions about dementia with an administrator of the facility.

A graceful and loving meditation on the inevitability of decline, on the wonder of memory. (17 b&w photos)

Pub Date: June 1, 2000

ISBN: 1-86207-171-3

Page Count: 288

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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