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LIFESAVING LESSONS

NOTES FROM AN ACCIDENTAL MOTHER

A competent work intended to encourage others in similar situations, but will appeal most to fans of Greenlaw's previous...

America’s only female swordfish-boat captain returns with a straightforward account of the challenges she faced in becoming the legal guardian of a sexually abused teenager and in balancing unexpected motherhood with her reclusive lifestyle on a tiny island off the coast of Maine.

A resident of Isle au Haut, whose population at the time numbered less than 50 in the off-season, Greenlaw (Seaworthy, 2010, etc.) and her community were disturbed to realize they did not live in a “[p]ristine” place. Upon learning that a pedophile resided among them, they rallied to aid Mariah, a 15-year-old who had moved to the island with her stepfather’s alcoholic brother, “Uncle” Ken. Greenlaw charts the course of her earlier choice to live a childless life through events that led to Mariah’s rescue, Ken’s arrest, trial and conviction, and its aftermath. The author’s no-nonsense approach to daily life led to honest admissions of selfishness and her desire for solitude, but she gradually warmed to the realization that guardianship involved more than providing material needs and security. Secondary themes of sisterhood and of developing female friendships later in life add depth to a work that otherwise explores a sensitive topic in familiar ways—from initial outrage to healing, wariness to acceptance, and an adolescent's tumultuous beginnings to high school graduation and acceptance to college. Though descriptions of emotions occasionally step into cliché, Greenlaw is at her finest when drawing parallels between life at sea and her new role as a mother.

A competent work intended to encourage others in similar situations, but will appeal most to fans of Greenlaw's previous Isle au Haut installment, The Lobster Chronicles.

Pub Date: March 21, 2012

ISBN: 978-0670025176

Page Count: 272

Publisher: Viking

Review Posted Online: Dec. 8, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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