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SEAWORTHY

A SWORDBOAT CAPTAIN RETURNS TO THE SEA

A vanishing slice of life caught with ardor and freshness.

Greenlaw (Fisherman’s Bend, 2007, etc.) returns to the Grand Banks in search of swordfish.

Writing bestsellers and pulling lobster traps out of the bay off her island home in Maine couldn’t “fill the void left in the absence of true, hardy, saltwater adventure,” so when opportunity knocked to skipper a swordfishing longliner to the blue water, Greenlaw jumped. She landed on the Seahawk, a vessel of such rank dilapidation the crew soon rechristened it the Shithawk. The crew also had varying degrees of mechanical problems—kidney stones, a severed thumb—but the author draws them affectionately as a stalwart bunch, who gravitate toward museums and Internet cafes during shore time. It’s a pleasure to be out once more on the water with Greenlaw, like hooking up again with a favorite fishing guide. Readers may have heard a few of the stories before, but the author is such an unvarnished old hand, they’re fun even in the retelling. Who can tire of sharks gnashing and thrashing around on a confined deck, or the rhythmic beauty of laying out 30 miles of line baited with 800 hooks, or heavy weather on a small boat in the big blue? The dialogue can be wooden at times, and there is a certain ripeness to some of the passages—“the diving night splashed light onto the opposite horizon, which swam like spawning salmon up the riverlike sky”—but Greenlaw speaks with unquestionable authority when fashioning the salty atmosphere of swordfishing life.

A vanishing slice of life caught with ardor and freshness.

Pub Date: June 1, 2010

ISBN: 978-0-670-02192-5

Page Count: 256

Publisher: Viking

Review Posted Online: Dec. 23, 2010

Kirkus Reviews Issue: March 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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