A love story that skillfully shows that abusers don’t need to use physical violence to control their victims.
A mysterious cop sweeps a single mother off her feet, but is this Romeo too good to be true?
Unlucky-in-love Teresa Lansing isn’t looking for romance when she meets Frank McAllister, a “disturbingly good-looking” cop who’s just taken a new job in the small town of Cougar. But sparks fly immediately between the two, and before long the persistent Frank has won over Teresa. Yet the dream guy is not quite what he seems in this cautionary romance from Griffin (Seventeen Days, 2018). Sure, he’s charming and attentive and more than willing to open his wallet to pay for nice dinners. But his intensity is off-putting. After only two dates, he convinces Teresa to join him for a romantic weekend on the coast, where he starts talking about marriage and his plans to pay for her deaf son Aiden’s cochlear implant. The skittish Teresa, still reeling from her ex-boyfriend’s recent infidelity, is rightfully troubled, thinking that her new beau “had skipped several steps in their relationship without her permission.” But Frank doesn’t take no for an answer and Teresa, eager for security, is gradually persuaded that he can be trusted even as the red flags are waving. Frank’s gaslighting is disturbing—the author clearly has a handle on the warning signs of emotional abuse—and Teresa is sympathetically drawn. Even as it’s obvious to readers that Frank’s intentions are suspect, she never comes across as a fool for succumbing to his manipulations or ignoring her best friend’s warning that “rushing things is one of the signs of an abuser.” But as the story progresses, the plot begins to strain credulity. Frank, it turns out, is no garden-variety abuser. Griffin tosses in a lurid backstory involving his ex-wife, who died via autoerotic asphyxiation, and throws in a serial killer who’s been murdering young women in the Cougar area. Still, the final confrontation between Teresa and Frank is legitimately frightening as she discovers to what lengths he’ll go to make her his.
A love story that skillfully shows that abusers don’t need to use physical violence to control their victims.Pub Date: July 15, 2019
ISBN: 978-1-5092-2659-7
Page Count: 220
Publisher: The Wild Rose Press, Inc.
Review Posted Online: July 10, 2019
Kirkus Reviews Issue: Sept. 15, 2019
Review Program: Kirkus Indie
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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