Chica lit that boasts strong narration but is hampered by some lackluster plotting.
Nieves-Powell, a writer, director and producer whose credits include the off-Broadway show Yo Soy Latina!, makes her fiction debut with this novel about a 30-something Latina mom looking for her true self amid the demands of work and family.
Idalis and her best-friend-since-childhood Selenis love to recall the great nights of their youth, spent salsa dancing at Club 90 in the Bronx. Dressed in stretch pants and bolero jackets, they ruled the dance floor. Now, 15 years later, they are mothers in Staten Island, dissatisfied with their husbands and their lives. Idalis, a secretary for a Manhattan ad agency, is legally separated from Manny. She loves him and his sexy ways, but his machismo—refusing to help with child care or housework—has made her doubt their marriage. Selenis, mother of three and caretaker of her increasingly demented mother, discovers that her husband is addicted to Internet porn. The women begin to despair. Then Idalis’s agency promotes her (her first task is working on a new Latino account) and she meets a handsome African-American banker. Could things be looking up? Not so fast. Idalis soon realizes that she is trading one set of problems for another. Her new beau has a bad habit of not calling when he says he will, and the Latino client wants the agency to market a Latina doll that is sure to tank. Should Idalis tell the client the truth about his product or should she keep her mouth shut to secure her promotion? This contrived plot point combines with other equally staged scenes (Manny’s oversexed barely legal girlfriend and Idalis’s boss’s preposterous lecture on reverse racism) to dampen what is the novel’s strength: its vibrant first-person narration, which really sings, as in the scene in which the girlfriends have a reunion night at Club 90, where they find a posse of old friends…and realize that things have changed.
Chica lit that boasts strong narration but is hampered by some lackluster plotting.Pub Date: March 1, 2008
ISBN: 978-1-4165-4281-0
Page Count: 224
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2008
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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