An engrossing and suspenseful mystery.
In Watkins’ (Sarah and Zoey, 2017, etc.) mystery-series starter, a young doctor is haunted by hallucinations and anxieties regarding her mother’s death.
When Kate Pomeroy, a second-year surgical resident at a Los Angeles hospital, wakes from a nap before a scheduled procedure, she overhears a conspiratorial conversation between assistant chief of psychiatry Dr. James Conway and an unknown man about an apparently illicit exchange of money. Kate thinks that it’s probably just a common bribe by a pharmaceutical rep, and heads into surgery. However, as she’s about to start the procedure, she’s waylaid by some kind of nervous breakdown and collapses into a mental fog. She’s committed to the psychiatric unit, where she experiences hallucinations as Conway illegally treats with her experimental drugs. After Conway’s subterfuge is uncovered, Kate’s father, Hamilton, sends her to Storm Island, where the family vacationed as a child, to recover. However, she’s still plagued by dark visions—including some involving her mother, Cassandra, who died on the island, an apparent suicide, when Kate was young. Kate then discovers several of her mom’s old journals, but the last, recording the year of her death, is missing. The young woman becomes determined to find out what happened to it, and in the midst of her investigations, she realizes much of what she thought she knew about her mother was false. Throughout this mystery story, Watkins artfully captures the distinction between reality and fantasy. Indeed, her depictions of Kate’s hallucinations are terrifying, and it’s often deliciously unclear whether the protagonist is experiencing a mental mirage or a clearheaded epiphany. The author builds the suspense in a cautious manner, meting out just enough information to keep the tale moving forward, but not so much as to lessen the gripping drama of the story. That said, the plot is a touch convoluted, overall, but one can’t help but be impressed with the aplomb with which Watkins weaves all the errant threads into a single narrative tapestry.
An engrossing and suspenseful mystery.Pub Date: Nov. 26, 2018
ISBN: 978-1-944815-08-0
Page Count: 330
Publisher: Argon Press
Review Posted Online: Dec. 22, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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