Magazine writer Yablonsky debuts with a restless memoir of a female heroin dealer who caters to Manhattan's art world. In 1980, the nameless narrator is working as a cook at Sticky's, a ferociously happening restaurant usually filled with quasi-famous artists and rockers. An ever-adventurous gal-on-the- scene, she occasionally sells packets of heroin out of the kitchen. Then she gets introduced to glamorous Kit, the guitarist in a band called Toast, and soon the two women are live-in lovers. Kit's a serious user, and shooting up together before their morning coffee becomes habitual. When the narrator starts meeting suppliers and discovering that she can support her habit by selling to her friends, she gets a kick out of turning her dealing into an ``art,'' enjoying the repetitive nature of the deal, even enjoying packaging the carefully weighed product in prettily cut-up art magazines. She turns her living room into a salon of sorts, and before long she's quit the restaurant and is dealing full time. Included are minimally detailed portraits of the various poseurs on the scene, and tales of street scores on the Lower East Side. There's a drugged-out road trip to Canada with Toast, plus the requisite scare at the border, and even a buying trip to the highlands of Thailand and a summer vacation in Italy. And there is illness: Kit is hospitalized with a near-fatal heart infection; numerous friends are HIV-infected, and some die painful deaths. Inevitably, the narrator is busted and betrays a supplier/friend to the police with loud protestations of regret but little evidence of real anguish. Yablonsky may be dead-on accurate in her portraiture, but her hazy, episodic look at a culture mired in terminal aimlessness is finally tedious and only minimally affecting.
Pub Date: April 1, 1997
ISBN: 0-374-27024-4
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1997
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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