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MASTER AND GOD

Another detailed and witty recounting of ancient Roman life, public and private, from the sure-handed Davis (Alexandria,...

Two Roman roommates, a Praetorian Guard and an imperial hairdresser, play a part in their emperor’s destiny.               

Gaius Vinius, an officer in the vigiles (Roman police and firemen), first meets Flavia Lucilla in his office, where the teenage hairdresser apprentice has come to complain about a theft of jewelry from her mother’s apartment.  Vinius soon disabuses Lucilla that the theft happened (more likely her mother, a freedwoman of the imperial Flavian dynasty, was simply trying to scam better jewelry from her lover). Such petty concerns are soon forgotten as a fire rages through Rome, destroying much of the city. After Vinius rescues a priest from the flames, he is rewarded with a coveted (but not by him) appointment to the Praetorian Guard by soon-to-be-emperor Domitian. Vinius hopes that his duties will not extend to soldiering: He is a veteran of wars in Britain, where he lost an eye. After becoming emperor, Domitian embarks on a massive campaign to rebuild Rome. (His many elaborate projects include a colossal statue of himself and a revamped Colosseum.) Lucilla establishes herself as beautician to the empress and garners many other noble clients. When she rents a new apartment, she is discomfited to find that Vinius has leased half the space as a pied-à-terre when he’s not on duty or with his wife. After a passionate one-night stand at Domitian’s summer palace, Lucilla withdraws, but Vinius divorces his wife. Vinius is sent on a campaign to Dacia, where he is held captive by the enemy for five years. Thinking him dead, Lucilla is surprised to learn that his will left his side of the apartment and all of its contents (including a substantial cache of gold) to her. Vinius returns, but by this time, Lucilla has married her literature teacher. Complications ensue, including the increasing oppressiveness of Domitian’s regime, before true love and fate intervene.

Another detailed and witty recounting of ancient Roman life, public and private, from the sure-handed Davis (Alexandria, 2009, etc.).

Pub Date: June 5, 2012

ISBN: 978-0-312-60664-0

Page Count: 464

Publisher: St. Martin's

Review Posted Online: June 16, 2012

Kirkus Reviews Issue: July 1, 2012

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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