Two Roman roommates, a Praetorian Guard and an imperial hairdresser, play a part in their emperor’s destiny.
Gaius Vinius, an officer in the vigiles (Roman police and firemen), first meets Flavia Lucilla in his office, where the teenage hairdresser apprentice has come to complain about a theft of jewelry from her mother’s apartment. Vinius soon disabuses Lucilla that the theft happened (more likely her mother, a freedwoman of the imperial Flavian dynasty, was simply trying to scam better jewelry from her lover). Such petty concerns are soon forgotten as a fire rages through Rome, destroying much of the city. After Vinius rescues a priest from the flames, he is rewarded with a coveted (but not by him) appointment to the Praetorian Guard by soon-to-be-emperor Domitian. Vinius hopes that his duties will not extend to soldiering: He is a veteran of wars in Britain, where he lost an eye. After becoming emperor, Domitian embarks on a massive campaign to rebuild Rome. (His many elaborate projects include a colossal statue of himself and a revamped Colosseum.) Lucilla establishes herself as beautician to the empress and garners many other noble clients. When she rents a new apartment, she is discomfited to find that Vinius has leased half the space as a pied-à-terre when he’s not on duty or with his wife. After a passionate one-night stand at Domitian’s summer palace, Lucilla withdraws, but Vinius divorces his wife. Vinius is sent on a campaign to Dacia, where he is held captive by the enemy for five years. Thinking him dead, Lucilla is surprised to learn that his will left his side of the apartment and all of its contents (including a substantial cache of gold) to her. Vinius returns, but by this time, Lucilla has married her literature teacher. Complications ensue, including the increasing oppressiveness of Domitian’s regime, before true love and fate intervene.
Another detailed and witty recounting of ancient Roman life, public and private, from the sure-handed Davis (Alexandria, 2009, etc.).Pub Date: June 5, 2012
ISBN: 978-0-312-60664-0
Page Count: 464
Publisher: St. Martin's
Review Posted Online: June 17, 2012
Kirkus Reviews Issue: July 1, 2012
Categories: HISTORICAL FICTION
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Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 20, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Categories: HISTORICAL FICTION | FAMILY LIFE & FRIENDSHIP
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BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 23, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
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