Beautiful, informative, essential.

A PLAN FOR THE PEOPLE

NELSON MANDELA’S HOPE FOR HIS NATION

An inspiring biography of Nelson Mandela, who made ending South African apartheid his life’s work.

Accompanied by Palmer’s rich, full-color acrylic paintings, the substantial text explores Mandela’s life: his youth in a Xhosa village, his time at university, his early political activism and imprisonment, and his rise to the South African presidency. McDivitt offers enough apartheid history to help young readers understand the systematic nature of racism, implemented through restrictive policies, and how it negatively impacted every aspect of life for Black South Africans. Palmer’s illustrator’s note explains that although the images could have conveyed much more negativity, given the violence of apartheid, he wanted to illustrate the hope that Mandela had for his homeland—a recurring theme in the text—and therefore created bright, colorful, and uplifting artwork throughout. The double-page spread of a tearful Mandela, still imprisoned, holding his new granddaughter is especially moving. McDivitt’s author’s note explains that her Afrikaner family, who relocated to the U.S. in 1962, the year of Mandela’s imprisonment, felt such shame about their background that they rarely discussed apartheid: “I learned that educating myself about racism is a lifelong process”—wise words for the contemporary United States, where a reckoning around systemic racism and White supremacy is well underway. Ten pages of age-appropriate backmatter make this an excellent resource for learning about Mandela and apartheid.

Beautiful, informative, essential. (Picture book/biography. 8-12)

Pub Date: March 30, 2021

ISBN: 978-0-8028-5502-2

Page Count: 48

Publisher: Eerdmans

Review Posted Online: Jan. 27, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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Involving from "the end of my lovely world" to the end of exile (when the Rudomins, as Jews, were jeered in Poland), this is...

THE ENDLESS STEPPE

GROWING UP IN SIBERIA

To Esther Rudomin at eleven Siberia meant the metaphor: isolation, criminals and cruel punishment, snow and wolves; but even in Siberia there is satisfaction from making a friend of a prickly classmate, from seeing a Deanna Durbin movie four times, from earning and studying and eventually belonging.

Especially in Siberia, where not wolves but hunger and dirt and cold are endemic, where shabbiness and overcrowding are taken for granted, where unselfishness is exceptional. At the heart of Mrs. Hautzig's memoir of four years as a Polish deportee in Russia during World War II is not only hardihood and adaptability but uniquely a girl like any other. Abruptly seized in their comfortable home in Vilna, Esther and her family, are shipped in cattle cars to Rubtsovsk in the Altai Territory, work as slave laborers in a gypsum mine until amnesty, then are "permitted" lobs and lodging in the village--if someone will take them in. After sleeping on the floor, a wooden platform is very welcome; after sharing a room with two other families, a separate dung hut seems a homestead. Then Esther goes to school, the greatest boon, and, to her mother's horror, wants to be like the Siberians....Deprivation does not make Esther grim: the saddest day of her life is her father's departure for a labor brigade at the front, her sharpest bitterness is for the bland viciousness of individuals.

Involving from "the end of my lovely world" to the end of exile (when the Rudomins, as Jews, were jeered in Poland), this is a beautiful book with no bar to wide acceptance (and a rich non-juvenile jacket by Nonny Hogrogian). (Memoir. 8-12)

Pub Date: April 15, 1968

ISBN: 978-0-06-447027-8

Page Count: 256

Publisher: T.Y. Crowell

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: April 1, 1968

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The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for...

TWO MEN AND A CAR

FRANKLIN ROOSEVELT, AL CAPONE, AND A CADILLAC V-8

A custom-built, bulletproof limo links two historical figures who were pre-eminent in more or less different spheres.

Garland admits that a claim that FDR was driven to Congress to deliver his “Day of Infamy” speech in a car that once belonged to Capone rests on shaky evidence. He nonetheless uses the anecdote as a launchpad for twin portraits of contemporaries who occupy unique niches in this country’s history but had little in common. Both were smart, ambitious New Yorkers and were young when their fathers died, but they definitely “headed in opposite directions.” As he fills his biographical sketches with standard-issue facts and has disappointingly little to say about the car itself (which was commissioned by Capone in 1928 and still survives), this outing seems largely intended to be a vehicle for the dark, heavy illustrations. These are done in muted hues with densely scratched surfaces and angled so that the two men, the period backgrounds against which they are posed, and the car have monumental looks. It’s a reach to bill this, as the author does, a “story about America,” but it does at least offer a study in contrasts featuring two of America’s most renowned citizens. Most of the human figures are white in the art, but some group scenes include a few with darker skin.

The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for thought. (timeline, bibliography) (Picture book/biography. 10-12)

Pub Date: March 12, 2019

ISBN: 978-0-88448-620-6

Page Count: 64

Publisher: Tilbury House

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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