Beautiful, informative, essential.
An inspiring biography of Nelson Mandela, who made ending South African apartheid his life’s work.
Accompanied by Palmer’s rich, full-color acrylic paintings, the substantial text explores Mandela’s life: his youth in a Xhosa village, his time at university, his early political activism and imprisonment, and his rise to the South African presidency. McDivitt offers enough apartheid history to help young readers understand the systematic nature of racism, implemented through restrictive policies, and how it negatively impacted every aspect of life for Black South Africans. Palmer’s illustrator’s note explains that although the images could have conveyed much more negativity, given the violence of apartheid, he wanted to illustrate the hope that Mandela had for his homeland—a recurring theme in the text—and therefore created bright, colorful, and uplifting artwork throughout. The double-page spread of a tearful Mandela, still imprisoned, holding his new granddaughter is especially moving. McDivitt’s author’s note explains that her Afrikaner family, who relocated to the U.S. in 1962, the year of Mandela’s imprisonment, felt such shame about their background that they rarely discussed apartheid: “I learned that educating myself about racism is a lifelong process”—wise words for the contemporary United States, where a reckoning around systemic racism and White supremacy is well underway. Ten pages of age-appropriate backmatter make this an excellent resource for learning about Mandela and apartheid.
Beautiful, informative, essential. (Picture book/biography. 8-12)Pub Date: March 30, 2021
ISBN: 978-0-8028-5502-2
Page Count: 48
Publisher: Eerdmans
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.
A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevieand Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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