Shriver, nobody’s idea of an optimist about the present day, delivers a dire vision of near-future America.
The collapse of the United States arrives in 2029, not via climate change or airborne viruses or zombie hordes, but international monetary policy: foreign governments establish their own currency, the bancor (a concept first proposed by economist John Maynard Keynes), and when the U.S. resists, it’s effectively locked out of global trade. America speedily goes into free fall, with rampant shortages and inheritances vaporized by high costs, unemployment, and human longevity. The Mandible family is just barely hanging on: Florence, who has one of the few stable jobs left (working at a homeless shelter), is forced to open her Brooklyn home to desperate family members, including a humiliated economist brother-in-law, a sister whose career as a novelist tanked along with all print media, and her once-wealthy grandfather who has only a silver service left to his name and whose second wife suffers from violent dementia. Almost gleefully, Shriver (Big Brother, 2013, etc.) catalogs how this upper-middle-class clan gets knocked off its perch in ways both small (toilet-paper shortages, overcrowding) and large (rampant theft and violence, starvation, zero health care, general erosion of humanity). Politically, this may be the only novel Mother Jones and breitbart.com can both take an interest in, though it might tire them both, too: the closing chapters, set in a scorched-earth 2047, are overly didactic on themes of individual rights, taxation, and citizenship. “Plots set in the future are about what people fear in the present,” as Florence’s brother-in-law puts it, and Shriver’s biggest fear is that, between numbing technology and nanny-statedom, we’ve lost our capacity to live by our wits. This novel is a bracing vision of what happens when we’re forced to, though the lecturing tone sometimes grates.
An imperfect but savvy commingling of apocalyptic and polemic.Pub Date: June 21, 2016
ISBN: 978-0-06-232824-3
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: March 17, 2016
Kirkus Reviews Issue: April 1, 2016
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
13
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Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 7, 2014
Categories: ROMANCE | CONTEMPORARY ROMANCE | FAMILY LIFE & FRIENDSHIP
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