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SLEEPING WITH THE ENEMY

A superficial but entertaining romantic thriller.

In Dyble’s debut novel, an amnesiac finds herself falling for a mysterious man as they investigate his brother-in-law’s murder.

When Tanya Riverton wakes up in a hotel room with a serious bump on her head and no memory of who she is, she’s naturally suspicious of the handsome stranger, Wade Scott, watching over her. The man seems familiar, but she’s not sure if he is responsible for her condition or if, as he claims, he rescued her from an attempted murder. Wade convinces her that his intentions are noble; he says that a fall from a balcony caused her memory loss, and it may be linked to the murder of his brother-in-law, Cliff. The ruggedly handsome Wade hopes to unlock Tanya’s memories to find clues that will help him find Cliff’s killer. However, he doesn’t want her to remember that she blames his family for her father’s death in a work-related accident. As these amateur detectives try to root out the truth, they’re unable to resist their mutual attraction. Gradually, Tanya’s memories return, and she and Wade uncover a vast conspiracy involving illegal arms trading, a corrupt pastor and a plan to turn the United States into a theocracy. But when Tanya recalls that Wade is “the man whose family had ruined hers,” her impulsive reaction puts them both in danger. Dyble delivers a fast-paced novel with generous dollops of violence and sex. This thin novel does contain occasional clichés, as when Tanya is described as a “delicate flower” or when Wade “slip[s] into the shadows.” Readers looking for a cogent explanation of the underlying conspiracy will be disappointed, as the book’s mystery is definitely secondary to the romance. However, readers searching for a light, action-packed diversion will likely find it here.

A superficial but entertaining romantic thriller.

Pub Date: Oct. 10, 2012

ISBN: 978-1479721047

Page Count: 158

Publisher: Xlibris

Review Posted Online: Aug. 1, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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