Another winner in Kleypas’ Ravenels series, with elegant prose, a fascinating heroine, and a Victorian London constructed...
England’s only female doctor and a lethal government agent with secrets of his own fall in love.
The fourth book in Kleypas’ (Devil in Spring, 2017, etc.) The Ravenels series brings back a popular minor character, the capable and friendly Dr. Garrett Gibson. Kleypas modeled her on Elizabeth Garrett Anderson, who in 1865 became the first Englishwoman to qualify as a doctor. Garrett lives with her father above her busy office, and although her friendship with the Ravenels grants her proximity to wealth and nobility, she is fulfilled in her career and content in her life. At age 28, she may be "on the shelf," but "it happens to be a very interesting shelf." Little does the good doctor realize that in a chance encounter two years prior, her brilliance and beauty captivated secret government agent Ethan Ransom. Ransom, a “by-blow” of the late Ravenel family patriarch, the Earl of Trenear, was raised by a prison guard. Rejecting his biological connections, he prefers a solitary, anonymous life, the better to exercise the espionage skills he gained under the tutelage of England’s most powerful spymaster. Kleypas’ depiction of the city Garrett and Ransom adore is one of the novel's delights: “It was a mean, big-bellied, prosperous city, shod in brick and iron, wearing a thick overcoat of factory smoke, carrying a million secrets in its pockets.” A terrorism subplot gives Ransom strong reason to stay away from Garrett, who is game for a fling but concerned about her reputation, precarious as it already is given her controversial line of work. While Ransom's workplace issues never quite gel, vivid romantic encounters in nooks of London not often featured in this subgenre—a fencing club, a raucous street party, a darkened lab—make this a love story to savor.
Another winner in Kleypas’ Ravenels series, with elegant prose, a fascinating heroine, and a Victorian London constructed with compelling historical detail.Pub Date: Feb. 27, 2018
ISBN: 978-0-06-237191-1
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PERSPECTIVES
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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