NOCTURNE

In a seventh novel—as exquisitely styled as her previous efforts (Joanna, 1991, etc.)—Umbria-based St. Aubin de Ter†n uses her knowledge of rural Italy to evoke poignant images of tradition and a world in transition, where the love of a mangled war veteran for a fickle, long-lost fiancÇe burns brightly if secretly through the years. For the inhabitants of the ancient village where Alessandro Mezzanotte was born, the boundaries of the familiar ended at the edge of town, and anyone like him—who looked beyond for love and wife—was courting disaster. His infatuation with Valentina, gypsy daughter of a traveling circus owner, prompted frequent train trips just to spend a few hours with her, until he was drafted into Mussolini's army. An accident left him one-armed, horribly scarred, and blind, but he never lost hope that Valentina might return, even after she ran from him upon first seeing his condition in the hospital. Back in his village Mezzanotte kept to himself for 40 years, roaming the streets endlessly but befriending no one. Having outlived his entire family, he relies on the draftees sent by the state to be his companions; when Stefano, a troubled soldier whose mother escaped his father's tyranny by sleeping herself to death, comes to take his turn, his arrival coincides with the reappearance of the circus for the first time since the war. Mezzanotte abruptly halts his self-imposed isolation, telling Stefano about his life, and in response his listener discovers his own reason to live, so that when the old man dies the young man can carry on. A vivid, at times stunning depiction of Umbrian village life past and present—and a first-rate portrayal of the heart's yearning and the vitality of love.

Pub Date: Sept. 9, 1993

ISBN: 0-312-09888-X

Page Count: 224

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 1993

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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Cheerfully engaging.

WHAT ALICE FORGOT

From Australian Moriarty (The Last Anniversary, 2006, etc.), domestic escapism about a woman whose temporary amnesia makes her re-examine what really matters to her.

Alice wakes from what she thinks is a dream, assuming she is a recently married 29-year-old expecting her first child. Actually she is 39, the mother of three and in the middle of an acrimonious custody battle with her soon-to-be ex-husband Nick. She’s fallen off her exercise bike, and the resulting bump on her head has not only erased her memory of the last 10 years but has also taken her psychologically back to a younger, more easygoing self at odds with the woman she gathers she has become. While Alice-at-29 is loving and playful if lacking ambition or self-confidence, Alice-at-39 is a highly efficient if too tightly wound supermom. She is also thin and rich since Nick now heads the company where she remembers him struggling in an entry-level position. Alice-at-29 cannot conceive that she and Nick would no longer be rapturously in love or that she and her adored older sister Elisabeth could be estranged, and she is shocked that her shy mother has married Nick’s bumptious father and taken up salsa dancing. She neither remembers nor recognizes her three children, each given a distinct if slightly too cute personality. Nor does she know what to make of the perfectly nice boyfriend Alice-at-39 has acquired. As memory gradually returns, Alice-at-29 initially misinterprets the scattered images and flashes of emotion, especially those concerning Gina, a woman who evidently caused the rift with Nick. Alice-at-29 assumes Gina was Nick’s mistress, only to discover that Gina was her best friend. Gina died in a freak car accident and in her honor, Alice-at-39 has organized mothers from the kids’ school to bake the largest lemon meringue pie on record. But Alice-at-29 senses that Gina may not have been a completely positive influence. Moriarty handles the two Alice consciousnesses with finesse and also delves into infertility issues through Elizabeth’s diary.

Cheerfully engaging.

Pub Date: June 2, 2011

ISBN: 978-0-399-15718-9

Page Count: 432

Publisher: Amy Einhorn/Putnam

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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