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THE GHOSTS OF NOTCHEY CREEK

From the Harley Henrickson Cozy Mystery series

A deftly constructed and thoroughly enjoyable small-town murder mystery with a Christmas twist.

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A sequel offers a holiday homicide case for a Southern whiskey distiller and sleuth.

Notchey Creek, Tennessee, is in the throes of the holiday season, and Harley Henrickson, whiskey maker and owner of the Smoky Mountain Spirits liquor store, is plenty busy. The festivities this year include a New Year’s Eve Ball at Briarcliffe, the local mansion on the grounds of the Great Smoky Mountains National Park. The mansion has a new resident: Beau Arson, rock star and scion of the Sutcliffe lumber family. Unfortunately, Beau has been experiencing some paranormal activity in the house, which ghost hunter Justin Wheeler is happy to tell him is the result of a woman who killed herself in the property’s woods on Christmas Day in the late 1800s. The strange thing is that Harley and her pet pig, Matilda, have just discovered the body of a woman in those same woods. But when Harley stepped away to call the police, the body disappeared. After a second body—this one someone Harley knows well—is found, she realizes that she must once again set aside her whiskey barrels and put on her investigator’s hat before this mayhem ruins Notchey Creek’s celebrated Small Town Christmas Festival. Andrews (The Mist Rises Over Notchey Creek, 2018) spins her holiday yarn with a pleasing mix of cheer and dread: “Beneath the hand lay a mound of body, like a snowman fallen on its side, and Harley brushed the snow from the torso, revealing a woman’s black dress. She worked her way up to the head region, where threads of dark hair swirled in a frozen pattern on the snow.” The novel has a classic feel, and of all the day jobs that an amateur detective might have, whiskey distiller is certainly a fun one (and fitting with the Smoky Mountains landscape). The book is a perfect choice for reading by the fire after the Christmas guests have gone home, though it may keep readers up late into the night.

A deftly constructed and thoroughly enjoyable small-town murder mystery with a Christmas twist.

Pub Date: Nov. 21, 2019

ISBN: 978-1-69743-191-9

Page Count: 334

Publisher: Self

Review Posted Online: Dec. 27, 2019

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NIGHT SHIFT

Twenty New England horror shorts by Stephen King (and a painfully lofty introduction by old pro John D. MacDonald). King, of course, is the 30-year-old zillionaire who poured the pig's blood on Carrie, woke the living dead in 'Salem's Lot, and gave a bad name to precognition in The Shining. The present collection rounds up his magazine pieces, mainly from Cavalier, and also offers nine stories not previously published. He is as effective in the horror vignette as in the novel. His big opening tale, "Jerusalem's Lot"—about a deserted village—is obviously his first shot at 'Salem's Lot and, in its dependence on a gigantic worm out of Poe and Lovecraft, it misses the novel's gorged frenzy of Vampireville. But most of the other tales go straight through you like rats' fangs. "Graveyard Shift" is about cleaning out a long unused factory basement that has a subbasement—a hideous colony of fat giant blind legless rats that are mutating into bats. It's a story you may wish you hadn't read. You'll enjoy the laundry mangle that becomes possessed and begins pressing people into bedsheets (don't think about that too much), a flu bug that destroys mankind and leaves only a beach blanket party of teenagers ("Night Surf"), and a beautiful lady vampire and her seven-year-old daughter abroad in a Maine blizzard ("One for the Road"). Bizarre dripperies, straight out of Tales from the Crypt comics. . . a leprous distillation.

Pub Date: Jan. 20, 1977

ISBN: 0385129912

Page Count: 367

Publisher: N/A

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Jan. 1, 1977

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A JOURNEY TO THE END OF THE MILLENNIUM

The fine Israeli writer Yehoshua (Open Heart, 1996, etc.) makes a lengthy journey into the year 999, the end of the first millennium. Indeed, it is the idea of a great journey that is the heart of the story here. Ben Attar, a Moroccan Jewish merchant has come a long distance to France to seek out his nephew and former partner Abulafia. Ben Attar, the nephew, and a third partner, the Muslim Abu Lutfi, had once done a lucrative business importing spices and treasures from the Atlas Mountains to eager buyers in medieval Europe. But now their partnership has been threatened by a complex series of events, with Abulafia married to a pious Jewish widow who objects vehemently to Ben Attar’s two wives. Accompanied by a Spanish rabbi, whose cleverness is belied by his seeming ineffectualness; the rabbi’s young son, Abu Lutfi; the two wives; a timorous black slave boy, and a crew of Arab sailors, the merchant has come to Europe to fight for his former partnership. The battle takes place in two makeshift courtrooms in the isolated Jewish communities of the French countryside, in scenes depicted with extraordinary vividness. Yehoshua tells this complex, densely layered story of love, sexuality, betrayal and “the twilight days, [when] faiths [are] sharpened in the join between one millennium and the next” in a richly allusive, languorous prose, full of lengthy, packed sentences, with clauses tumbling one after another. De Lange’s translation is sensitively nuanced and elegant, catching the strangely hypnotic rhythms of Yehoshua’s style. As the story draws toward its tragic conclusion—but not the one you might expect—the effect is moving, subtle, at once both cerebral and emotional. One of Yehoshua’s most fully realized works: a masterpiece.

Pub Date: Jan. 19, 1999

ISBN: 0-385-48882-3

Page Count: 352

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1998

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