A deftly constructed and thoroughly enjoyable small-town murder mystery with a Christmas twist.

THE GHOSTS OF NOTCHEY CREEK

From the Harley Henrickson Cozy Mystery series

A sequel offers a holiday homicide case for a Southern whiskey distiller and sleuth.

Notchey Creek, Tennessee, is in the throes of the holiday season, and Harley Henrickson, whiskey maker and owner of the Smoky Mountain Spirits liquor store, is plenty busy. The festivities this year include a New Year’s Eve Ball at Briarcliffe, the local mansion on the grounds of the Great Smoky Mountains National Park. The mansion has a new resident: Beau Arson, rock star and scion of the Sutcliffe lumber family. Unfortunately, Beau has been experiencing some paranormal activity in the house, which ghost hunter Justin Wheeler is happy to tell him is the result of a woman who killed herself in the property’s woods on Christmas Day in the late 1800s. The strange thing is that Harley and her pet pig, Matilda, have just discovered the body of a woman in those same woods. But when Harley stepped away to call the police, the body disappeared. After a second body—this one someone Harley knows well—is found, she realizes that she must once again set aside her whiskey barrels and put on her investigator’s hat before this mayhem ruins Notchey Creek’s celebrated Small Town Christmas Festival. Andrews (The Mist Rises Over Notchey Creek, 2018) spins her holiday yarn with a pleasing mix of cheer and dread: “Beneath the hand lay a mound of body, like a snowman fallen on its side, and Harley brushed the snow from the torso, revealing a woman’s black dress. She worked her way up to the head region, where threads of dark hair swirled in a frozen pattern on the snow.” The novel has a classic feel, and of all the day jobs that an amateur detective might have, whiskey distiller is certainly a fun one (and fitting with the Smoky Mountains landscape). The book is a perfect choice for reading by the fire after the Christmas guests have gone home, though it may keep readers up late into the night.

A deftly constructed and thoroughly enjoyable small-town murder mystery with a Christmas twist.

Pub Date: Nov. 21, 2019

ISBN: 978-1-69743-191-9

Page Count: 334

Publisher: Self

Review Posted Online: Dec. 27, 2019

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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