An illuminating book for fans of biography and popular science.



A science communicator tells the story of the extraordinary friendship between a Nobel Prize–winning female scientist and a forgotten pioneer in modern dance and theatrical lighting.

Inspired by "extensive research, letters, personal memoirs and biographies," Heinecke offers a uniquely envisioned re-creation of the relationship between Marie Curie (1867-1932) and Loïe Fuller (1862-1928). An American dancer famed for incorporating electricity into innovative dances, Fuller seemed the polar opposite of Curie, who lived for her work in physics and chemistry. Yet both found common ground in a shared passion for science. In 1896, Thomas Edison told Fuller about crystals that "emitted colorful light.” An inventor who held multiple patents, the dancer was eager to experiment with Edison's crystals to enhance her celebrated dances. In the meantime, Curie had been obsessively studying a substance that "emitted…mysterious energy, which she named ‘radioactivity.’ ” When Fuller heard about Curie's discovery, she wrote to her in hopes of procuring some of the substance—radium—for new dances. Curie responded, intrigued that the dancer also had scientific interests. From that point on, the two women would maintain a lifelong connection, and they “met various times over the years—at their homes, in the Curie laboratories, in August Rodin’s studios, and once at the theater.” A solid researcher and an engaging storyteller, Heinecke focuses only on interpreting known details (such as those Fuller provides in her journal about Curie) rather than speculating on unknowns—e.g., what Curie thought of Fuller. The author's careful attention to history—especially as it pertains to the struggle creative women like Curie and Fuller faced for acceptance as creative equals to men—helps round out the text with feminist insights. The result is a unique, satisfying biography/creative nonfiction hybrid that celebrates the achievements of two women who revolutionized the artistic and scientific worlds.

An illuminating book for fans of biography and popular science.

Pub Date: Feb. 16, 2021

ISBN: 978-1-5387-1736-3

Page Count: 336

Publisher: Grand Central Publishing

Review Posted Online: Nov. 24, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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Fans will find comfort in Lawson’s dependably winning mix of shameless irreverence, wicked humor, and vulnerability.

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The Bloggess is back to survey the hazards and hilarity of imperfection.

Lawson is a wanderer. Whether on her award-winning blog or in the pages of her bestselling books, she reliably takes readers to places they weren’t even aware they wanted to go—e.g., shopping for dog condoms or witnessing what appears to be a satanic ritual. Longtime fans of the author’s prose know that the destinations really aren’t the point; it’s the laugh-out-loud, tears-streaming-down-your-face journeys that make her writing so irresistible. This book is another solid collection of humorous musings on everyday life, or at least the life of a self-described “super introvert” who has a fantastic imagination and dozens of chosen spirit animals. While Furiously Happy centered on the idea of making good mental health days exceptionally good, her latest celebrates the notion that being broken is beautiful—or at least nothing to be ashamed of. “I have managed to fuck shit up in shockingly impressive ways and still be considered a fairly acceptable person,” writes Lawson, who has made something of an art form out of awkward confessionals. For example, she chronicles a mix-up at the post office that left her with a “big ol’ sack filled with a dozen small squishy penises [with] smiley faces painted on them.” It’s not all laughs, though, as the author addresses her ongoing battle with both physical and mental illness, including a trial of transcranial magnetic stimulation, a relatively new therapy for people who suffer from treatment-resistant depression. The author’s colloquial narrative style may not suit the linear-narrative crowd, but this isn’t for them. “What we really want,” she writes, “is to know we’re not alone in our terribleness….Human foibles are what make us us, and the art of mortification is what brings us all together.” The material is fresh, but the scaffolding is the same.

Fans will find comfort in Lawson’s dependably winning mix of shameless irreverence, wicked humor, and vulnerability.

Pub Date: April 6, 2021

ISBN: 978-1-250-07703-5

Page Count: 288

Publisher: Henry Holt

Review Posted Online: Jan. 27, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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