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STORYVILLE

Battle's last, The Past is Another Country (1990), was set in Australia. But here she's come back home to the South—the Big Easy, circa 1900, no less—to tell a tale oozing with hypocrisy and vice. It's really the story of two women, high-society wife Julia Randsome, a transplanted Yankee who rides her bike to ladies' meetings and reads Ibsen, and Kate Cavanaugh, who is to become one of the most successful madams in the legendary red-light district of Storyville. Their paths intersect when Julia's son, Lawrence, is ``given'' Kate for a night as a going-away-to-the- Spanish-American-War present. At 15, Kate's turned to prostitution after being seduced and abandoned by a flimflam man. Nonetheless, there's something so fresh about her that Lawrence falls in love, only to die at the Battle of San Juan before he can return to rescue her. Meanwhile, Julia's perfect marriage to New Orleans scion Charles begins to fall apart when she discovers that part of his income is generated by property in Storyville. Ultimately, she takes in a pregnant Kate and leaves Charles, despite the fact that, at heart, Charles is a surprisingly reasonable, liberated man. And when Kate runs away from Julia to return to Storyville, Julia's left all alone on the high road. Storyville comes to lurid life under Battle's pen, as do the day's sexual double-standards. And, as usual, Battle's prose goes down as smoothly as a well-made Old-Fashioned. But there's a rub, because the main character, Julia, isn't consistently sympathetic, nor is the groundwork laid for her lionization as a feminist decades after her death. It's a lot easier to forgive and love the whore than the women's activist—which would be an interesting irony, if only Battle seemed more in control of it. (First printing of 75,000; Literary Guild Dual Main Selection for February)

Pub Date: Jan. 1, 1993

ISBN: 0-670-83867-5

Page Count: 448

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1992

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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