Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017

Next book

A WEEKEND WITH FRANCES

A cleareyed but warm family saga of buried recriminations and the struggle for reconciliation.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017

A mother and her daughters reunite to dredge up old traumas in this tension-wracked drama.

Frances Rafferty has her normally cantankerous 84-year-old spirits lifted when her favorite daughter, Kathy, an off-Broadway actress with a rich second husband, decides to come home from New York to visit the family home in Brown County, Indiana. Also attending are Frances’ daughter Edie, a doormat housewife, and her dyspeptic husband, Sam, who actually inhabit the family home, having exiled Frances to a mother-in-law trailer in the backyard; and third daughter Rosie, a psychologist who is bitterly estranged from Frances and is bringing her disabled son in tow. The narrative unfolds over a three-day weekend of dinners, Scrabble games, church, and squabbles, told through ruminative soliloquies by each of the women probing her present feelings and past resentments from times when the family almost disintegrated in madness and poverty. Each woman’s soul and secrets are laid bare: Kathy, a domineering diva who puts up a front of ebullient cheer while denying the reality that her life’s stability is about to collapse; Edie, perpetually striving to please everyone around her and guilt-stricken when she can’t, who harbors a hidden passion for an old flame; Rosie, seething with bitterness toward Frances over a childhood wound her sisters know nothing about. Thomas (Blessed Transgression, 2015, etc.) creates vibrant, sharply etched characters who come with plenty of rancorous baggage but manage to unpack enough of it to regain sympathy for one another and themselves. They come alive through the author’s gift for crafting distinctive voices in well-observed dialogue, emerging through their own reflections and the refracted perspectives of their loved ones. Thomas writes in a relaxed, understated prose that conveys the heavy emotional impact of family conflicts without histrionics and melodrama. (Frances in a rare moment of contentment: “I woke up all of a sudden. And the sweetest feelin’ come over me. Like an angel of the Lord done passed through the room. And I couldn’t help but call out in the darkness, ‘God is good.’ Yup, that’s all I could think to say. God is good.”) Readers should root for Frances and her daughters as they fitfully knit their family ties back together.

A cleareyed but warm family saga of buried recriminations and the struggle for reconciliation.

Pub Date: July 24, 2016

ISBN: 978-0-9976445-0-0

Page Count: 252

Publisher: CreateSpace

Review Posted Online: Jan. 21, 2017

Kirkus Reviews Issue: Feb. 15, 2017

Categories:
Next book

CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview