A contemporary girl-meets-boy story that taps into an age-old lament by women: Men. Can’t live with ’em. Can’t live without...
Mathieu’s (The Next to Last Drink, 2014, etc.) novel explores the evolutionary concepts of masculinity and femininity, the societal norms that shape us, and some good, old-fashioned romance.
Nora Bookbinder is a flinty go-getter of a gallery owner in Maine. She lives a happily single existence, helping her ailing father, Eugene; walking on the beach and discussing life with her best friend, Emma; and feeling that most men have a violent streak and that she’s better off without them. But when an earthquake hits (in an apt metaphor for the havoc it wreaks on the protagonist’s life), seismologist Drew Hollister comes to town. He’s smart, capable, and interesting, which would be enough to turn any woman’s head. When he turns Nora’s, in spite of her well-crafted defenses, he not only taps into her passion but pierces her very sense of self. It’s a cataclysmic shock that leads to her skipping town for a vacation. As readers watch Nora grapple with what love means and what it does, Mathieu’s prose is often ponderous (“Drew was always on my mind, continually, like a compressor running in the background”), and scenes often shift from past to present with stop-and-start jerks. Also, Nora’s independence-at-any-cost persona and distrust of all male-female relationships can make her feel less than three-dimensional; it’s hard not to want her character to evolve, even as one roots for her to hang onto her feminist ideals. “I had become like ordinary women I had long criticized for succumbing to desire,” Nora tells readers. “Loving Drew had made me vulnerable.” Of course, that’s exactly what love does—and how it often brings about the best in people. That said, women who’ve dealt with similar conflicts in their own lives will want to cheer Nora on.
A contemporary girl-meets-boy story that taps into an age-old lament by women: Men. Can’t live with ’em. Can’t live without ’em.Pub Date: Sept. 22, 2016
ISBN: 978-1-5369-1081-0
Page Count: 290
Publisher: CreateSpace
Review Posted Online: Nov. 22, 2016
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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