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JOURNEY OF THE DEAD

As he shows here once more, the prolific Estleman (Billy Gashade, 1997, etc.) has no rival—not even Louis L'Amour—in evoking the American Southwest. With hard-rubbed dialogue as bright as a new-minted Indian-head penny, this latest epic is narrated by the alchemist Francisco de la Zaragoza, Viceroy in Absentia, Durango, Mexico- -who just happens to be 129 years old. The viceroy's tale chronicles the life of his sometime friend and yarn-swapper Sheriff Pat Garrett, who killed Billy Bonney, better known as Billy the Kid. The book's title is taken from La Jornada del Muerto, a long, sun-hammered passage of white sand trickling through the New Mexico desert like an alchemist's athanor, where the blood bubbles and human clay might perhaps turn to gold if the spirit were pure enough. Despite that, the invincible Pat Garrett's whole life could be viewed as a kind of sun-baked torture relieved only by whiskey, the warm Spanish blood of his wife Apolinaria, and his six children, while many of the outstanding incidents of his life take place on that blazing white sand of La Jornada, including his eventual murder at age 65. The episodic story is strung together by Garrett's nightmares, during which he's visited time and again by the ghost of the 21-year-old Bonney. Vignettes include Sheriff Pat's tracking of his friend Bonney through territory after territory; Bonney's slaying; Pat's being hired to slaughter buffalo and later to protect the herds of a cattlemen's association; his fruitless tracking of the killers of Colonel Albert Fountain and his young son on La Jornada; his attempt to irrigate the dry land; and his meetings with Governor John Nance Garner and later with President Teddy Roosevelt. Style to burn, talk that haunts. Deserves blue ribbons and rosettes.

Pub Date: April 1, 1998

ISBN: 0-312-85999-6

Page Count: 256

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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