This odd, dark and often creepy tale of a dysfunctional community and a family that fits right in will keep readers...
Roy’s suspenseful debut novel presents readers with a rich mix of troubled characters planted against the backdrop of a small Kansas farming town and the mysterious deaths of two young girls.
In the turbulent 1960s, Arthur and Celia Scott leave rioting Detroit behind with their three children and move back to Arthur's childhood home in Kansas. His mother, Reesa, and sister, Ruth, still live there, but things have not been going well with Ruth, long married to the drunken bully who once loved their sister, Eve. The fragile blonde Eve died violently many years ago, her body found in the shed on the Scott property. The community’s consensus is that Ray murdered Eve; whether or not the charge is true, her death certainly turned his life to ruins. Soon the family settles in: Arthur and Celia’s oldest daughter meets and falls for a local boy, while young Daniel, their son, struggles to become a man in a town where he has no friends and a father who doesn’t believe in him. Meanwhile, the youngest child, Eve-ee, who like her namesake aunt is both small and fair, finds kinship with her long-dead relative, who left behind a closet of beautiful dresses and a sad statue of the Virgin Mary. When another local girl, also blonde, petite and Eve-ee’s age, disappears and is feared murdered, the Scotts reexamine the circumstances surrounding Eve’s death. Soon Ruth finds herself once again on the receiving end of one of Ray’s beatings, but this time she has Arthur to shield her. Eventually, the Scott family realizes the truth about what happened to Eve, and Ruth deals with the frightening future she faces if she stays with her husband. Roy, a former tax accountant, writes sparingly of the bleakness of life and death on a farm. In her hands, the plot twists and turns, but, in the end, all the pieces fit, although the denouement is unsettling.
This odd, dark and often creepy tale of a dysfunctional community and a family that fits right in will keep readers wondering right until the last page.Pub Date: March 31, 2011
ISBN: 978-0-525-95183-4
Page Count: 368
Publisher: Dutton
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Jan. 15, 2011
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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