Next book

THE REALM OF HUNGRY SPIRITS

An entertaining appreciation of one woman's journey, sometimes ribald and funny, sometimes ironic and self-deprecating.

Marina Lucero reads the Dalai Lama, ponders Gandhi and yearns for inner peace. What she has is a challenging and needy family and a demanding and clueless set of friends.

Thirty-something Marina, a San Fernando Valley schoolteacher, had a mother who joined a Carmelite cloister when Marina was a child and a father who drank. Marina remains a bit resentful about her childhood, at least when her extended Hispanic family allows her time to think about it. There's older sister Della and her aimless dyslexic son Kiko. There's younger sister Xochi and her hapless sometime boyfriend Reggie. Then there is Rudy, Marina's former boyfriend, who thinks a failed relationship should provide fringe benefits. Marina does love Rudy's daughter, Letty, whom Marina mothered into adulthood. Letty's new baby, little Rudy, is hospitalized and mortally ill. Marina must rush to the aid of Letty and her husband, Miguel, a recovering drug addict, because that's what Marina does. She is a motherly caretaker, a woman constantly dancing between fatigue and self-imposed obligation. The book finds Marina teaching summer school, coping with Kiko and Reggie, both living on her couches, and providing intermittent refuge for Carlotta, her sweet next-door neighbor who is a punching bag for her out-of-work husband. Little Rudy dies, Letty attempts suicide, Carlotta is knocked into a hospital bed by her husband and Rudy demands that Marina give a false legal deposition so that his friend, Nestor, a Santeria priest, a voodoo babalawo, can escape child support payments. While dealing with these "hungry spirits," Marina generates romantic sparks with Carlos Lozano, an attractive and intelligent art teacher, and Arturo Ortiz, a nervous and engaging young doctor finishing his residency. López (Homicide Survivors Picnic and Other Stories, 2009, etc.) imagines believable characters and observes their world with literary insight.

An entertaining appreciation of one woman's journey, sometimes ribald and funny, sometimes ironic and self-deprecating.

Pub Date: May 2, 2011

ISBN: 978-0-446-54963-9

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview