A novel that you will devour first and savor later.
An addictive novel about a London cookbook editor whose life veers off course weeks before her wedding.
Piglet, the narrator of Hazell’s debut novel, seems to have it all: a good job, a new house, fancy cookware and boundless energy for whipping up perfect meals, and a fiance whose upper-crust family promises to whisk her away from her middle-class upbringing. However, Piglet’s false modesty and her fiance Kit’s lavish toast to her, “the cause of every good thing I have in my life,” set off alarm bells by the end of the first chapter. An italicized note before the start of the next chapter amplifies that unease by letting us know Kit is going to tell Piglet something damaging—we don’t know what—13 days before their wedding. Kit’s betrayal drives the novel forward in an unexpected way. Hazell’s choice to withhold a crucial bit of information won’t bother some readers, while others will feel like the book is a recipe with a vital ingredient missing. The novel teases out the ways Piglet betrays herself long before Kit’s confession and how she rages against the conventions of femininity and bourgeois restraint afterwards. The result is some seriously brilliant cringe. When Piglet wanders into an Indian restaurant by herself and orders every dish on the menu days before her wedding-dress fitting, it’s hard not to squirm, and harder still to avoid interrogating the reasons for one’s intense discomfort. The effect is similar when Piglet goes around telling everyone, including Kit’s family and hers, his big secret. Hazell balances these quasi-comedic moments with quieter ones to keep Piglet real. Her shame about her parents is poignant, especially because they really love her. “We’re proud of you, Piglet,” her father says. “I know that doesn’t mean much from your old dad back in Derby….” Like the food that Piglet cooks, Hazell’s sentences are delicious. The lowly lentil, for example, has never looked so exciting, blooming in broth before Piglet hears “the angry, thumping hiss of something catching on cast iron.”
A novel that you will devour first and savor later.Pub Date: Feb. 27, 2024
ISBN: 9781250289841
Page Count: 320
Publisher: Henry Holt
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
SEEN & HEARD
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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