by Lou Harry & Eric Pfeffinger ‧ RELEASE DATE: Dec. 1, 2005
A harebrained tale not even a desperate housewife could love.
An idiotic, implausible novel about three women who use the prospect of sex with a prostitute to get their husbands to lose weight.
Three suburban wives, Brin, Cheryl and Dierdre, have had it up to here with their tubby hubbies, each weighing over three bills. Their ever-ravenous, couch-surfing spouses, Martin, Doug and Randy, refuse to lose weight, so whatever could motivate them? Why, sex with a hot hooker, of course! Brin invents a college friend who’s become a “pro,” and the women tell their guys that they can each have a guilt-free roll in the hay with her once they’ve reached a goal weight of 210 pounds (is 210 svelte nowadays?). Confident they’ve set the bar too high, the wives relax and enjoy their husbands’ initial success. Meanwhile, the boys huff and puff, deny themselves cheez curls and obsess over their prize: Who’s going to get to her first? Are they allowed to make side bets, like whoever loses ten pounds before the others gets the only blowjob? It’s all quite imbecilic and misogynistic yet nonprovocative—like Neil LaBute, de-fanged. Needless to say, the men continue to drop flab at a brisk pace, with the prostitute a constant thought, dangling in front of their minds’ eye like the proverbial carrot—or, in this case, Twinkie. As the scales dip toward 210, Brin, Cheryl and Dierdre start to panic: Should they come clean? Nah—too complicated. Instead, they interview several candidates, hire a lovely intelligent call girl named Cinnamon and book a less-than-seedy hotel room. (Wow—what cool chicks!) In the end, we have several hundred pounds lost as well as one divorce, one marriage holding steady and one couple moving on to explore threesomes with hookers. The moral? Um . . .
A harebrained tale not even a desperate housewife could love.Pub Date: Dec. 1, 2005
ISBN: 1-4000-9845-9
Page Count: 320
Publisher: Three Rivers/Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2005
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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