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CABIN

TWO BROTHERS, A DREAM, AND FIVE ACRES IN MAINE

Ureneck’s story is simple, but it rewards abundantly by affirming the unexpected possibilities for renewal that life offers.

A modern-day Walden with a midlife twist.

“I had been city-bound for nearly a decade, dealing with the usual knockdowns and disappointments of middle-age,” writes Ureneck (Journalism/Boston Univ.; Backcast: Fatherhood, Fly-fishing, and a River Journey Through the Heart of Alaska, 2007). “The notion of building a cabin—a boy’s dream really—seemed a way to get a purchase on life’s next turn.” The author was not consciously attempting a Thoreauvian experiment in self-sufficiency. Rather, he was trying to save himself from the wreckage—a painful divorce, the loss of his mother and uncles to death and disease and a major career change—of a life gone awry. Loneliness and despair threatened to engulf him; the only family members who remained were his two grown children, both of whom lived apart from him and his younger brother Paul, a man absorbed by his own trials. Heartsick and confused, he bought a piece of land in the woods of western Maine. There, Ureneck, along with his brother and his brother’s sons, spent the latter part of 2008 and all of 2009 constructing the cabin, “employing, as much as possible, old-fashioned wood joinery rather than nails.” At first, this “experiment in mental health” was the author’s way to enjoy the two things that had been constants in an otherwise fragmented life: Paul’s company and a love of the natural world. But as the project evolved, Ureneck realized that the cabin-building process—selecting the timber to use in construction; digging and laying in the foundations; assembling the wood pieces together; securing the final structure both inside and out—was allowing him to not only confront and resolve issues from his past, but also giving him the opportunity to build a mature relationship with a beloved brother he felt he had let down in youth.

Ureneck’s story is simple, but it rewards abundantly by affirming the unexpected possibilities for renewal that life offers.

Pub Date: Sept. 19, 2011

ISBN: 978-0-670-02294-6

Page Count: 256

Publisher: Viking

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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CODE TALKER

A unique, inspiring story by a member of the Greatest Generation.

A firsthand account of how the Navajo language was used to help defeat the Japanese in World War II.

At the age of 17, Nez (an English name assigned to him in kindergarten) volunteered for the Marines just months after the bombing of Pearl Harbor. Growing up in a traditional Navajo community, he became fluent in English, his second language, in government-run boarding schools. The author writes that he wanted to serve his country and explore “the possibilities and opportunities offered out there in the larger world.” Because he was bilingual, he was one of the original 29 “code talkers” selected to develop a secret, unbreakable code based on the Navajo language, which was to be used for battlefield military communications on the Pacific front. Because the Navajo language is tonal and unwritten, it is extremely difficult for a non-native speaker to learn. The code created an alphabet based on English words such as ant for “A,” which were then translated into its Navajo equivalent. On the battlefield, Navajo code talkers would use voice transmissions over the radio, spoken in Navajo to convey secret information. Nez writes movingly about the hard-fought battles waged by the Marines to recapture Guadalcanal, Iwo Jima and others, in which he and his fellow code talkers played a crucial role. He situates his wartime experiences in the context of his life before the war, growing up on a sheep farm, and after when he worked for the VA and raised a family in New Mexico. Although he had hoped to make his family proud of his wartime role, until 1968 the code was classified and he was sworn to silence. He sums up his life “as better than he could ever have expected,” and looks back with pride on the part he played in “a new, triumphant oral and written [Navajo] tradition,” his culture's contribution to victory.

A unique, inspiring story by a member of the Greatest Generation.

Pub Date: Sept. 6, 2011

ISBN: 978-0-425-24423-4

Page Count: 320

Publisher: Dutton Caliber

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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