Once again, de Berniäres turns magic realism into a literary Latin American theme park where the familiar attractions— levitating villagers, centuries-old wanderers, protean plants and animals—appear with nothing new or original added. Mythic hero Dionisio Vivo—fighter of druglords in Se§or Viva and the Coca Lord—is now living in the remote Andean village of Cochadebajo. Vivo, the father of 30 children, though he still mourns his beloved, long-dead Anica, is a national columnist—the country's conscience—as well as one of the defenders of the village against the assault by bloodthirsty religious fanatics bent on rooting out heresy. Plot, though, is secondary—it's here only to provide successive set-pieces in which various characters can display their larger-than-life vices, virtues, and talents: ailing Cardinal Guzman is haunted by the demons of his corruptions, torments that are cured only by surgery—his tumor turns out to be an unborn twin—and his decision to leave the church and do good with his longtime mistress and their dead son, Christobal, reborn as a humming bird. Also included: a Mexican musicologist married to twins Lena and Ena; the ghost of Thomas Aquinas, who, appalled by the fanatical priests' sincerity, wishes he'd never written; Professor Luis, whose inventions save the village from destruction; conquistadors in rusting armor; a false priest who levitates and quotes salacious classics; jungle cats that eat strawberries and chocolates; a corrupt, sexually obsessed national-president; an ancient, starving, Quixote-like knight in search of ``the beast'' he must kill. And the grand climax, the battle that defeats the crusading fanatics, is undercut by a frenetic display of ambitious but old-hat literary virtuosity. Faux fiction that fails because—not in spite of—the writer's best efforts.

Pub Date: Feb. 23, 1994

ISBN: 0-688-12583-2

Page Count: 388

Publisher: Morrow/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 1993

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There are unforgettable beauties in this very sexy story.


Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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