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THIS HUMAN SEASON

Not a wasted moment in this terrifying and terribly funny book.

“The Troubles” of Northern Ireland haunt the weeks around Christmas 1979 for a prison guard and the mother of a prisoner.

Dean, whose Becoming Strangers (Jan. 2006) was on various prize lists, short and long, gives us John Dunn, an Englishman starting a new job in the Northern Ireland prisons after 20 years in the British Army, and Kathleen Moran, mother of four, one of whom is in Dunn’s prison. The two live on opposite sides of a city that was, it must be remembered, as viciously torn as Beirut not that long ago. Dunn is a loner, a near-orphan who took the army as his family and his path as well as his livelihood, serving in various hot spots during his career. His time in Northern Ireland in the early days of the Troubles taught him to love the place, and his attachment to Angela, the woman with whom he now lives, brought him back to stay. Kathleen Moran has never been off the island. Married young to a windy braggart who is now, predictably, a drunk working in the local pub, Kathleen smokes through her chaotic days, frantic with fear for her oldest child, Sean, an IRA prisoner, and edgy with lust for Brendan Coogan, the handsome spokesman for the Republican cause. Sean Moran and his fellow prisoners have for three years protested their criminal status by eschewing prison uniforms. Naked in their freezing cells, they defecate on the floor and write their politics on the walls using bits of their mattresses as paintbrushes. And as they wait for the Brits to recognize their political status, they order the murder of their guards. This grim story is told with sharp wit and sharper love. Readers who manage to leave Dean’s worlds of East and West Belfast without a bitter sympathy for both sides of the grinding Ulster conflict are in dire need of heart transplants.

Not a wasted moment in this terrifying and terribly funny book.

Pub Date: Feb. 5, 2007

ISBN: 0-15-101253-9

Page Count: 384

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2006

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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