Southern charm, mystery-lite and the details of theater life converge in Shaffer’s likable third novel (Ladies of Garrison...


A pleasant excursion into the heart and soul of theater life involving two women who become the mysterious inheritors of an old opera house.

When Katie and Randa receive letters from a Georgia lawyer informing them they are the beneficiaries in a will, it seems the two have no connection—Katie is a native New Yorker and a scriptwriter for the soap her mother made famous, and Miranda is a business manager for spoiled Hollywood actors. But after a few days together in Georgia, the two find what has always eluded them—family history. Helped by the strange coincidences uniting them (both are named for Shakespearean characters, both were raised by a single parent, an actor), the two women form a tentative bond as they discover they are the new owners of the Venable Opera House, a 100-year-old theater that was once the pride of now-run-down Massonville. They are enchanted by the beautiful building, but plan on selling the money pit to Mike Killian, who’ll soon tear it down to make way for condos. Can Katie and Randa really let that happen? Randa’s 11-year-old daughter Susie is betting not, and has found the theater’s history in hopes that sentimentality will win out over business sense. Half of the novel traces the not altogether happy rise of the Venable clan, a family of actors, drinkers, tough ladies and louts who managed to keep the theater running for nearly a century. Matriarch Juliet acquired the theater under criminal circumstances, her son-in-law Edward kept it going in the Depression by playing the same hammy part his whole life (and keeping his homosexual affairs discreet), while Olivia stole from her children to keep it going in the ’70s. Though essential for solving the mystery of Katie and Randa’s benefactor, the Venable flashbacks are the novel’s weak spot, lacking the color and detail of the periods in which they’re set. Nevertheless, Shaffer (Ladies of Garrison Garden, 2005, etc.) has a nice touch with characters and the feel-good ending doesn’t disappoint.

Southern charm, mystery-lite and the details of theater life converge in Shaffer’s likable third novel (Ladies of Garrison Garden, 2005, etc.).

Pub Date: Aug. 28, 2007

ISBN: 978-1-4000-6063-4

Page Count: 336

Publisher: Ballantine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2007

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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