by Louise Shaffer ‧ RELEASE DATE: June 1, 2005
Like a southern-fried meal, fatty and indulgent, and the more delicious for being so.
In a sequel to The Three Miss Margarets (2003), Shaffer employs all the components of a Lady’s Southern Novel—but creates something fresh and likable from the old tricks.
Laurel Selene McCready is as shocked as the rest of small-town Charles Valley, Ga., when she learns she is sole heir to Miss Peggy’s vast fortune: the whole of Garrison Gardens and Resort. Friend to the grand dame in the last years of her life (and with the other Miss Margarets, too: L’il Bit and Dr. Maggie), Laurel is now the company owner in a company town. Though with no father, a drunken mother (now dead), a poor-paying job (now lost) and a penchant for kicking it up herself, Laurel is hardly capable of running a multimillion-dollar concern, or so scheming lawyer Stuart Lawrence would have her believe. All Laurel has to do is sign a power of attorney and Stuart will make all Garrison Gardens decisions for her (top of the list is a big employee layoff and a drastic hike in health insurance premiums). Despite her daughter-like relationship with Miss Peggy, Laurel has always hated the Garrisons and the way they’ve strong-armed the town for generations. Now that she has the power to change things, she realizes she doesn’t have the know-how. Meanwhile, she becomes intrigued with the mysterious first Mrs. Garrison and the trunk of lacy costumes she finds hidden in the house. While Laurel’s moral dilemma is sincere, the story’s real spice comes from the nicely imagined subplot detailing the Depression era exploits of the Sunshine Sisters. A second-rate vaudeville act, Iva Claire, her mother Lily and foundling Tassie travel the circuit, dodge trouble and aim for the big time while surviving on hush money arriving regularly from Georgia. It becomes apparent that the Sunshine Sisters have everything to do with Garrison Gardens and, by the close, lies, secret identities and a murderer are revealed.
Like a southern-fried meal, fatty and indulgent, and the more delicious for being so.Pub Date: June 1, 2005
ISBN: 1-4000-6062-1
Page Count: 336
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
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by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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