More than anyone needs to know about poker, but engaging prose and endearing characters bode well for Wener’s new career....
After a turn as a Brit pop star in the mid-’90s, Wener turned to writing fiction. Her US debut—about love, loss, and poker—is an impressive second act.
Audrey Unger is on the edge. She’s a die-hard urbanite living in London with an adoring gardener boyfriend who dreams of moving her to the countryside, a career as a math tutor and part-time bookkeeper, and fantasies of a sexual tryst with the pop star Bono (“a fantastic, filthy, sweaty, dirty shag, on a bed the size of a small Third World country”). Her true obsession, though, is her long-gone father, from whom she inherited her mathematical skills and fascination with scientific fact. When Dad gave up being a schoolteacher to turn professional poker player, with friends like “Jimmy Silk Socks,” Audrey’s mother left him for a sensible man named Frank. But then Audrey’s mother died, her father failed to show up at the funeral to rescue her, and Audrey has spiraled since then from math prodigy to shoplifter. Now 33, she’s clever, charming and “so fearful of things falling apart that I seek to destroy them before they have an opportunity to collapse beneath me.” She’s a lost soul until she meets the 400-pound, agoraphobic, obsessive-compulsive Louie Bloom, who sets her on a path of self-discovery. Louie is a busted-down American hustler who, in exchange for a window box with lavender, agrees to teach Audrey to play poker, a game he approaches with religious fervor (“For an instant you feel like you’re actually living in this world, instead of sitting on the edge of it waiting to die”). Hooked on the game, caught up in Louie’s schemes and ambitions, Audrey risks all on a trip to Vegas that could change her life and dig up her elusive father.
More than anyone needs to know about poker, but engaging prose and endearing characters bode well for Wener’s new career. (Wener’s first novel, Goodnight, Steve McQueen, will be published in early 2005 by Perennial.)Pub Date: May 1, 2004
ISBN: 0-06-058547-1
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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