by L.S. Larson illustrated by Yujin Jung ‧ RELEASE DATE: Dec. 10, 2018
A stellar futuristic tale with an exemplary heroine.
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A teenager hopes to prove her merit at a prominent space-station school by finding a solution to a plague devastating her home planet, Earth, in this YA sci-fi debut.
Emi Hayden Swift dreams of attending the Intergalactic Institute of Science and Technology. But as IGIST seemingly rejects the 14-year-old’s application, she may have to settle for another school. Tragedy unfortunately follows: She loses her father, Max, to the plague, an infectious black cloud with fractal tentacles that keeps most earthlings hidden in their homes. Now an orphan, she only has Sadee, her flying, orb-shaped droid, and her new pal, Jacqueline “Jack” Lemore, the daughter of Emi’s favorite teacher on Earth. Jack is a space transporter by trade and a misfit by choice—one of a group of humans who genetically modify their bodies with animal attributes. At a recruiting station, Emi takes a general test that scores her a scholarship to a Star League school, which includes IGIST. But first she must undergo a probationary period on the moon, where the IGIST space station is orbiting. Not only does Emi, the first earthling student in two decades, endure Martian bullies, but it’s also clear Martian students have the advantage, with years of prep work and tutoring specifically for IGIST tests. She’s convinced that, in order to prove herself, she’ll need to enter the Agon, a science competition, with a plan and means to thwart the plague on Earth. But when validating her project requires a live sample of the plague, Emi’s proposal could become downright dangerous. Emi’s determination is her most admirable trait. She’s an appealing heroine who never allows others to discourage her, even as some suggest the new student wait a year for an Agon submission. Similarly, in one scene, she is certain she will fail a test she’s currently taking but refuses to give up. But like all great protagonists, Emi is believably flawed. She, for example, stubbornly insists on working alone despite offers of help, and it’s a long while before she acknowledges the benefits of teamwork. Supporting characters are likewise dynamic: Emi earns her share of allies, but not everyone stays on her side, while apparent antagonists are occasionally surprising. Jack is a standout and headlines her own subplot, in which she stirs up trouble with the Terrans, a terrorist group that targets whatever it deems anti-earthling. But the best player is Sadee, an apt example of the story’s dense characterization and rich technology. Sadee is impressive as tech, communicating via written messages, utilizing a device that provides a brain-to-brain link with Emi. But she’s also the novel’s most endearing character; as Emi equates emotion with color, Sadee glows with a bright variety, signifying whatever feeling she surmises a human would have. During the frenzied final act, for example—which entails a couple of superb plot twists—Sadee, in response to a panicked crowd of people, glows yellow. Larson’s taut descriptions and brief chapters generate a speedy pace, complemented by debut illustrator Jung’s stark black-and-white images that practically burst with detail.
A stellar futuristic tale with an exemplary heroine.Pub Date: Dec. 10, 2018
ISBN: 978-1-79067-067-3
Page Count: 295
Publisher: Time Tunnel Media
Review Posted Online: Jan. 8, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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