An unreliable narrator maintains a dubious tone that still manages to electrify.
James’ psychological thriller debut offers the tale of a young woman in an interrogation room, recapping a drug-fueled crime spree spanning nine U.S. states.
Texas cops have a disheveled, bloody girl at the station for questioning. The unnamed girl’s been eluding the law for quite some time with her sometimes-lover Noah. The couple steal liquor and boost cars, criminal acts that ultimately escalate into bank robberies and burning down a church. These deeds lead to a death or two, including an accidental shooting in the course of a robbery. The girl’s probably being insincere in her statement, as it’s clearly a chore for her not to laugh when Officer Gibson treats her like the victim. But authorities really want to know where still-on-the-lam Noah is, and a fed known only as the Agent (or simply Agent) isn’t as easy for the girl to toy with as Gibson. He’s blunt and to the point: is Noah even alive? Alcohol and LSD, however, may have muddled the girl’s memories, as she debates whether she’s remembering certain events or if they’re only in her mind. Agent’s simultaneously working the case of a serial killer calling himself Alighieri; his method is decapitation. But before Agent can reach the truth, Alighieri’s and the girl’s paths intersect in a frightening and unexpected way. The purposefully ambiguous narrative complements the girl’s hazy recollections. Seeing her green-eyed, “grimacing twin” in a bathroom, for example, could be an acid trip, and the first-person perspective makes it clear that at least her confusion’s genuine. At the same time, additional points of view ground the story, like Alighieri on the hunt or Agent at different murder scenes. James’ frenzied writing style is staggering. The girl’s downtime at a quarry, for one, is just as exhilarating as the couple fleeing cops: “My limbs were pulled apart with violent force from the churning water as it surged from my intrusion.” Readers hoping for a nice, clean wrap-up to explain everything may be disappointed. Regardless, it’s a suitable ending for Agent, Alighieri, and the girl, despite not having all the answers when the story’s over.
An unreliable narrator maintains a dubious tone that still manages to electrify.Pub Date: Dec. 10, 2015
ISBN: 978-1-5197-2926-2
Page Count: 346
Publisher: CreateSpace
Review Posted Online: Feb. 15, 2016
Kirkus Reviews Issue: April 15, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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