by Luce D'Eramo ; translated by Anne Milano Appel ‧ RELEASE DATE: Sept. 18, 2018
Though a minor contribution to the larger literature of World War II, a strange, heartfelt account of someone who served a...
Italian writer D’Eramo recounts her experiences in Germany in the closing months of World War II.
Falling in the same subgenre as Curzio Malaparte’s Kaputt, D’Eramo’s novel is really thinly fictionalized autobiography. When her father, a devoted fascist, removed her family to the Alps following the collapse of Mussolini’s regime, D’Eramo threw herself into the fascist cause, volunteering to join a labor corps in Germany. After she had a chance to study the involuntary members of her unit, Russians and members of political resistance groups among them, all of whom mistrusted her as a true believer in the cause, she decided to head home in disgust with the Hitler regime only to be sent in a labor detail to Dachau. While working to rescue survivors of a bombing in Mainz, a wall collapsed on her; she writes that a German soldier was hit in the head by a flying brick and then, after asking to see his children, “slumped to the ground, killed instantly.” Told sometimes in the first and sometimes in the third person, D’Eramo’s account addresses not just wartime experiences, but also her subsequent life in a wheelchair, paralyzed by the accident and dependent on drugs; some of the episodes she recounts are as hellish as anything she experienced in the labor camps, as when, writing of her addiction to Valium, she notes, “How could I have forgotten that it was the basic component of the truth serum used by the Nazis in Dachau?” In her dreams she may be running, fleet-footed, toward or away from that crumbling wall in Mainz, “truly like the others, thrashed, spat upon, just like them,” but her realities are somber and rueful, the disillusionment of a 19-year-old girl who survived into old age but never forgot that youthful indiscretion. The book resembles Malaparte’s in some of its hallucinatory aspects, but it also recalls work as various as Iris Origo’s War in Val D’Orcia and Louis-Ferdinand Céline’s Castle to Castle.
Though a minor contribution to the larger literature of World War II, a strange, heartfelt account of someone who served a role few would confess to.Pub Date: Sept. 18, 2018
ISBN: 978-0-374-13845-5
Page Count: 368
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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by Donna Tartt
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by Donna Tartt
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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