The tragicomic accidental death of omnipotent New York gossip columnist Lolly Pines sets in motion a cheerful scramble for control of her column, access to her sources, and knowledge of the secrets that made her so powerful. The first contender for Lolly's throne is her assistant, Kick Butler, still sweet-tempered despite a disillusioning romance with novelist Lionel Maltby (a user if ever there was one) and the repeated rejections by Fifteen Minutes editor Fedalia Null that landed Kick on Lolly's payroll. Her principal competition is Baby Bayer, a second-string gossiper for the tabloid New York Courier who's sleeping her way up from Courier editor Joe Stone to Lolly's lawyer, Irving Fourbraz. Baby, perhaps the only character in contemporary American fiction who can unzip a man's fly with her toes, doesn't care that her burning-sheets affair with Fourbraz is depriving his wife, Neeva, of affection, trust, and the getaway money her mother left her. As Kick, Baby, and Neeva, like early amphibians, struggle up through swamps of foul men to the freedom of a feminist shore, former food columnist Georgina Dyson, wife of the Courier's publisher, is in danger of suffocating on dry land from the uxorious ministrations of Tanner Dyson, who can't help milking the publicity machine to insure that her every attempt at independence is successful. While Kick and Baby merrily battle each other for men, power, and publicity—a TV star's defenestration of his female companion in the opening pages turns into an endlessly fertile source of headlines—there's room for a million subplots, naughty bits, and flashbacks showing you exactly how they all got to be that way, before everybody (yes, everybody) finally hunkers down to live happily ever after. Like Madame Cleo's Girls (1992), nonstop connivance without a mean bone in its body: a Mister Rogers production of Tosca.
Pub Date: Dec. 1, 1994
ISBN: 0-671-77669-X
Page Count: 384
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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