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THE HOUSE AT MIDNIGHT

A somewhat tiresome story.

A debut novel by London resident Whitehouse that follows a group of friends through one traumatic year that threatens to tear their circle apart.

When Joanna’s best friend Lucas inherits his uncle’s manor outside of London, their group of college friends, all of them now almost 30 years old, are reunited through their weekend visits to the house. Ever since Lucas’s uncle’s suicide, however, a ghostly ambiance permeates the gatherings. Even during the first get-together, on New Year’s Eve, when Joanna surprises herself by falling for Lucas, she feels a disturbing presence in the echoing halls that foreshadows the destruction to come. The atmospheric changes are not gradual. Contained within the walls of the vast house are romantic mishaps, heartbreak, true love—and secrets that will destroy Lucas and everyone close to him. The book lacks a solid narrative arc. The romantic partners too often play musical chairs. The secret histories are thrilling when revealed, but the plot tends to drag and often feels repetitive. Lucas’s best friend and Joanna’s nemesis, Danny, has an almost cartoonish evilness that grows exponentially as the novel wears on. The more time Lucas spends at the manor, the more his obsession with his family’s painful past and his uncertain future grows, and he becomes increasingly self-destructive. He enters a cycle of alcohol, violence and depression so fast, readers do not have a chance to get to know him first as Joanna’s loveable, caring best friend. As the pressures of growing older bear down on the unfortunate, rather staid protagonist, friendships and lovers are destroyed and created at whim, careers advance and stall and the history of the house’s previous occupants eerily begins to repeat itself.

A somewhat tiresome story.

Pub Date: June 1, 2008

ISBN: 978-0-345-49931-8

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2008

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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