A surviving-middle-age story that artfully blends the intriguing world of natural science with the theater of human foibles.
Journalist Fleeson fashions a new life for herself at a Hawaiian botanical garden.
When the bean counters took over the Philadelphia Inquirer, the author knew her days were numbered. She nipped a potential midlife crisis in the bud by accepting an out-of-the-blue job offer to become a fundraiser for the National Tropical Botanical Garden (NTBG) in Kauai, Hawaii. Gardening had always been a passion of hers, and here was a chance to make an impact. As her new boss and friend, colorfully irrepressible botanist Dr. Bill Klein, said, “It’s the nature of gardeners to take these disasters and improve on them.” He might have been speaking of Fleeson’s life, but he was actually referring to their task of getting the NTBG back on its feet after many moribund years and a devastating hurricane. Fleeson sets forth in appealingly bald language the events of her days: learning the ropes at work, delving into the history of the botanical garden, maintaining her love life, pursuing the island’s more telling stories. She downplays her emotions but doesn’t scant the intimacy of her role as participant, chronicling missteps aplenty while she negotiates her way through the cultural pitfalls of both her new job and Hawaiian society. Fleeson’s descriptive talents come to the fore as she summons the pungent dilapidation of her surroundings and the drama of the landscape, “a fertile universe, primordial and undisturbed.” She shows finesse in making vest-pocket stories of her investigations: the controversy over native vs. exotic species, Isabella Bird’s Hawaiian sojourn, the role of plate tectonics in Hawaii’s geology, profiles of the men whose estate became the NTBG and island biogeography and extinction. Additional subjects include death, politics and eating mangoes in the nude.
A surviving-middle-age story that artfully blends the intriguing world of natural science with the theater of human foibles.Pub Date: June 16, 2009
ISBN: 978-1-56512-486-8
Page Count: 320
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2009
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
