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THE MISCONCEIVER

A pleasantly unpolemical, if plodding, novel about a 21st-century abortionist who's haunted by the memory of her political-activist sister. It's the year 2026, and the world is a Gingrichian vision of high-tech gadgetry and conservative social values. Abortion is illegal and birth control scarce—as much from fear of declining birth rates among the white middle class as from Christian moral precepts. In this repressive but nominally democratic America, Phoebe has a day job as a computer debugger; secretly, she performs ``misconceptions,'' as illicit abortions are called. No abortion- rights crusader, Phoebe refers to her work as ``killing babies'' and continues mainly to carry on the legacy of her spirited older sister, Marie, a ``misconceiver'' who died in jail. Phoebe's brother and mother are also dead, and her father suffers from advanced Alzheimer's, so when the suicide of a 12-year-old incest victim throws her into a moral crisis, she turns to her widowed sister-in-law, Roxanne, for a place to lie low for a while. But while visiting Roxanne in California, Phoebe is moved by the plight of Roxanne's teenage daughter, Christel, who's facing an unwanted pregnancy. With the help of Roxanne's fiancÇ Arthur, a doctor, Phoebe performs an abortion on her niece—and Phoebe and Arthur begin an affair. Arriving back home in Utica, Phoebe is immediately arrested and must figure out who has betrayed her. Was it Arthur, one of the friends or colleagues in whom she's confided, or perhaps a traitor in the underground community of abortion providers? Then a fellow prisoner helps her escape, and Phoebe has to consider how far she wants to go in service of Marie's cause. Ferriss (Against Gravity, 1996, etc.) worthily acknowledges the complexities of the abortion debate, and her dystopia, if not wildly original, is thoroughly imagined—yet ultimately the tale remains constrained by its narrow focus and muddled plot.

Pub Date: July 1, 1997

ISBN: 0-684-80092-6

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1997

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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