Though occasionally preachy, the novel is both heartfelt and moving.
A post-9/11 novel examining how that traumatic event shapes the lives of the narrator and a college professor, as well as the lives of those she teaches.
Although the novel takes place in Boston rather than New York City, the shadow of the events of 9/11 looms over the urban landscape. Erika teaches an international group of health professionals and has them write research papers relevant to their personal and political interests, but she also broods on the meaning of the events of 9/11. Her students become aware that academic research and writing are too abstracted from real life, a point driven home by Honig as she switches the narrative to scenes in Nairobi, where dreadful exploitation and unimaginable violence are being visited upon children as young as 12. This theme of distancing oneself from the real world pervades the novel, particularly through characters such as Nussbaum, a bully who’s named chair of the department and who’s preoccupied with his own petty power, and Toby, who writes grants for sociological studies in Africa but who has never been there himself. In response to the social evil found in Kenya one character tries to help those who are being oppressed and is fired for violating rules meant to ensure “objectivity.” The most touching character is Ibrahim, a Sudanese doctor to a sheik. Ibrahim is kind, loving and curious, but he’s stricken with cancer, and his patience teaches Erika much about the process of dying. In an insult to his virtue, his brother-in-law is arrested on suspicion of—what else in this post-9/11 world?—terrorism. Honig constructs a world of goodness circumscribed by evil, of good deeds done in the context of overwhelming misery.
Though occasionally preachy, the novel is both heartfelt and moving.Pub Date: Sept. 1, 2009
ISBN: 978-1-58243-527-5
Page Count: 240
Publisher: Counterpoint
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2009
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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