You’ll breeze through this one like you would a Saturday spin class with the most fabulous playlist and the promise of...
Unofficial rule of the New York fashion industry: if you must buy the bruffin, you absolutely cannot be seen eating said bruffin.
Janey Sweet, co-founder of a wedding-dress company called B, doesn’t realize she’s committing a crime until B designer and her best friend, Beau, shoves a tabloid with a picture of her eating a bruffin ("the love child of a brioche and a muffin") in her face and ends their breakfast conversation by calling her the “f” word—fat—which is unacceptable according to their business arrangement formed decades ago. Since B wedding dresses are notorious for not going above a size 4, Janey is out until she drops her bruffin habit and 30 pounds along with it. No joke. It doesn’t matter that she’s lost both of her parents within a year or that she’s going through a divorce. To Beau, being skinny is the only thing that matters. With the same delicious brand of satire that Sykes and Piazza became known for in The Knockoff (2015), Janey falls down the rabbit hole of fitness trends, skinny mommy blogs, and juice cleanses in search of a weight-loss savior. If you think naked yoga isn’t real, Google it. If you don’t think you can laugh at scenarios involving psychedelic cactus and an exclusive healing ceremony in Brooklyn, then you won’t appreciate this book’s particular flavor of excess. The journey to skinny is livened up by a memorable supporting cast: there’s CJ, Janey’s college friend who is levelheaded about everything besides her weight (in that respect, she’s a maniac); Jacob, a superattractive, dumpster-diving single dad; and Ivy, Janey’s younger cousin, a former ballerina–turned–SoarBarre instructor with the mouth of a sailor. The journey culminates with Janey becoming a follower of “The Workout,” the latest craze promising to have you 15 pounds lighter, as long as you’re able to pay the exorbitant price associated with a retreat to St. Lucia. Though it’s hard to sympathize with someone who can afford to have healthy meals catered on a daily basis, this novel is about indulging in the ridiculous. You’ll have to overlook details like sporadic point-of-view changes and the fact that St. Lucia is not actually a Spanish-speaking country on the path to finding your inner “warrior queen.”
You’ll breeze through this one like you would a Saturday spin class with the most fabulous playlist and the promise of brunch cocktails after.Pub Date: July 11, 2017
ISBN: 978-0-385-54180-0
Page Count: 304
Publisher: Doubleday
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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