Powerful forces clash but don’t engage in a way to involve the reader.
Mexican-Americans and other minorities struggle for power in an L.A. steel mill, in a heartfelt but disjointed first novel from this poet, autobiographer and storywriter (The Republic of East L.A., 2002, etc.).
The prologue, set in 1944, sees Procopio Salcido, 19, gravitate from northern Mexico to L.A., where he marries the even younger Eladia and is hired by Nazareth Steel (modeled on the now-defunct Bethlehem Steel, where Rodriguez once worked). The Salcidos have six children, but when their only daughter dies in infancy, Procopio shuts down, neglecting his five boys and devastating the youngest, Johnny, who winds up in prison. Fast-forward to 1970 when Johnny, now 20, joins Nazareth as one of the craft crews. His life at the mill until 1982, when it closes, is the heart of the story here. There is an old guard of racist white millwrights headed by Earl Denton, a Klan leader, along with a progressive group of young communists organized by college graduate Harley Cantrell. Johnny emerges as a natural leader, organizing a black/Mexican slate that almost defeats the old guard in union elections. Violence is rife. When women join the crews, one loses four fingers in an “accident” and her supervisors are badly beaten in a reprisal. Cantrell is murdered by a hit man. Always dominant is the mill itself, “an earth monster who can devour you.” Rodriguez veers haphazardly between the mill’s routines, its race-based politics and its disruption of domestic life, as the overwhelming stress drives the workers to drink. It all makes for a good story, but Rodriguez doesn’t know how to tell it: what should be dramatic high points (the election result, the murder) are just hiccups, while character development, like that of Johnny’s turnaround from inmate to organizer, simply happens. And, with the mill’s closing, Rodriguez runs out of material. The final third shifts into the first-person as Johnny’s grown daughter Azucena, a barrio hell-raiser, describes la vida loca.
Powerful forces clash but don’t engage in a way to involve the reader.Pub Date: May 3, 2005
ISBN: 0-06-056076-2
Page Count: 320
Publisher: Rayo/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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