Social and sports history meet capably in this eventful account, a boon for baseball fans.
A vigorous history of a little-known episode in the integration of professional sports.
Jackie Robinson came first, of course, signing with the Brooklyn Dodgers in 1947. For that reason, writes Epplin, “it is perhaps inevitable that the second team in Major League Baseball to integrate in the twentieth century would be overshadowed by the first.” But in that season and the next, that second team, the Cleveland Indians, brought on two Black players. The first, renowned pitcher Satchel Paige, is well known today; by that time, he was already in his 40s and had been knocking around in the Negro Leagues for more than two decades, “someone who was incongruously both a major-league rookie and a baseball legend.” Paige did not disappoint, striking fear in the hearts of those who faced him on the mound. The second player, Larry Doby, is less well known, but Epplin brings him vividly to life. The author provides an indelible portrait of the duo galloping across the season, giving the Indians a World Series win in 1948. In this deeply researched account, the author also chronicles the contributions of two White men: team owner Bill Veeck and pitcher Bob Feller, who once could “throw a fastball that some major leaguers deemed the swiftest they’d ever encountered.” Feller had been having a bad time of it, but Indians fans flocked to Paige. Not only did Veeck integrate Cleveland stadium—at one game against the Dodgers, “one out of every six Black residents in Cleveland was in attendance”—he consistently demonstrated his skills as a showman. Quite apart from his role in bringing Black players into the game (Doby considered him a second father), Veeck also pioneered between-innings giveaways, pregame shows, postgame firework displays, and other standard tropes of modern pro baseball, contributions that have been largely unsung.
Social and sports history meet capably in this eventful account, a boon for baseball fans.Pub Date: March 30, 2021
ISBN: 978-1-250-31379-9
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Dec. 21, 2020
Kirkus Reviews Issue: Jan. 15, 2021
BOOK REVIEW
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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